Meet the PAWG producing beats for your favorite rappers

IIVI

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Last big post in this thread.

All that gear that used to be expensive: the Korg's, Yamaha's, MPC's, etc. all got the much cheaper digital versions now that sound as good.

Like you can get the full Korg, Roland, Yamaha, etc. suites now that all the great songs have been made on for $15/month right there on your laptop, which would cost you tens of thousands of dollars before to own.

Things are easily available now too, some people outright release it straight up. For example, Solange released the official DX-7 preset algorithms for one of her albums for everyone to use right there in their favorite FM synth.

Some people still prefer the analog hardware (it does have a physical tone quality to it because of the "analog drift") but many digital vsts now like Diva emulate it and other people have made tutorials on how to pull it off with other vsts like Serum.

Bottom line, basically only a few people had access to all this terrific sounding tools to create music. Now everyone does and it's kind of watered everything down.

Which is another great point other producers have made: people are so willing right now to share their production secrets because it generates views and clout. Folks are opening up their project files and showing everyone how they did what in whatever song they made that blew up. Back in the days nobody told each other what they were using and there was some serious gatekeeping. So there's a tradeoff for sure. Problem is, people have got incredibly good at finding what people have done when they try to keep it a secret so they might as well share what they did.

It's all basically comes down to accessibility.
 
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Seoul Gleou

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Last post in this thread.

All that gear that used to be expensive: the Korg's, Yamaha's, MPC's, etc. all got the much cheaper digital versions now that sound as good.

Like you can get the full Triton suite now that all the great songs have been made on for $15/month right there on your laptop, which would cost you tens of thousands of dollars before to own.

Things are easily available now too, some people outright release it straight up. For example, Solange released the official DX-7 preset algorithms for one of her albums for everyone to use right there in their favorite FM synth.

Some people still prefer the analog hardware (it does have a physical ton quality to it because of the "analog drift") but many digital vsts now like Diva emulate it and other people have made tutorials on how to pull it off with other vsts like Serum.

Bottom line, basically only a few people had access to all this terrific sounding tools to create music. Now everyone does and it's kind of watered everything down.

Which is another great point other producers have made: people are so willing right now to share their production secrets because it generates views and clout. Folks are opening up their project files and showing everyone how they did what in whatever song they made that blew up. Back in the days nobody told each other what they were using and there was some serious gatekeeping. So there's a tradeoff for sure.

It's all basically comes down to accessibility.
If everyone gets into the VIP, is it still a VIP
 

IIVI

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fukk it, that wasn't my last post.

Curious to see what the Tory Lanez album credits will look like when they drop them.
 
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shyt ain't new. Now because of DAWs and youtube 9 year old girls from India are making hard ass beats.

You'd be surprised how much of music you hear on the charts today, including a ton of drill is made in the suburbs or people in suburbs around the world.

Code by Offset ft. Moneybagg Yo
Producer:


Put It On Me by NBA Youngboy
Producer:

Red Flag by Gucci Mane
Producer:

This was Yeat's main producer when dude blew up (it's the Indian dude with glasses):


Ya'll gotta understand it's a money thing and the type beats generation.

Why would folks want to pay 808 Mafia when they can buy beats from a kid who watched youtube tutorials to learn how to make "808 Mafia Type Beats" and sell it to artists for $200.

That's why so many albums today have different producers on each song.

Also if you understand music theory, you'll know there are only so many ways to make dark-sounding melodies.


No it's just 808 mafia beats are easy to emulate

when Timboland made jigga what, that beat still hasn't been emulated


remember you could tell who a producer was by how the beat sounded they didn't need tags,
 

IIVI

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Re-upping because dang near the whole new Tory Lanez project today is produced by people like this :mjlol:







One of the many recent examples. Go into each of their pages and look at all the other credits too.

Hip-Hop been Rock and Rolled and Columbused.
 
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The Devil's Advocate

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doesnt change the fact that a white woman is making beats for black men claiming they're street dudes in the lyrics

and when they blow up the same white woman's beats will be played while their white fans sing lyrics about killing black men at a concert

rap is dead, fellas
Pretend this isn't how it's always been.. All the engineers been white.. the mastering.. a lot of production is "helped" by white guys who actually know the equipment... Hell Scott Storch anyone?

This been a thing
 

GooPunch

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Wait wasn't it the Coli that said Afrobeats sound the same

But not a peep was said on Trap/Drill music :laff: :laff: :laff: :laff:
Because its an old conversation. Plenty of us think drill is a trash genre in general. Weak bars, weak beats, little to zero creativity. Its been discussed ad nauseam for years.
 
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MrLogic

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Which rappers

giphy.gif


edit: nobodies
 

NinoBrown

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My second degree was in music and music theory makes production and melodic creation really easy for me.

I write mostly cinematic pieces and a seldom trap piece from time to time but the marketplace for hip hop instrumentals is saturated and buyers are honestly too cheap to deal with...

Switching over to writing for sound libraries and pursuing license deals has probably been one of the best decisions in my music career....

Barrier for making hip hop beats is too low but cinematic/jazz/r&b/neo-soul or other complex pieces require music theory or significant training to be a viable creator...

When I hear or see..."Learn FL Studio drill/trap/taylor swift/drake/khaled/lil engine that could type beats in 3 minutes" just reminds me how lazy producers are today....
 

Megadeus

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No truer words said. The Infamous and Hell on Earth beats on straight demonic yet melodic. Winter's en route...perfect time for those albums.






:damn:The quiet storm beat always scared me when i was a kid

edit: Shook ones too... sheeeiit I WAS a shook one. I remember taking my older sisters CD collection and listening to all these rappers... I was always afraid of Mobb Deep:sadcam: i thought they were gonna climb through my window and kill me and shyt.
 
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