What was happening in 96-97 was the transition from the "ruff, rugged, and raw" boom bap sound and aesthetic of the early to mid 90s to the jiggy era of the late 90s. That's why De La was bytchin on Stakes is High about R&B bytches on your hook...everyone was doing it because Hot 97 had taken over and become the # 1 station in NYC (no, not the # 1 "urban" station. The # 1 station period). If you weren't getting played on Hot you were getting dropped.
The jiggy vibes were coming in with Bad Boy leading the charge. The Roots made the What They Do video and of course they're gonna deny it to their grave but we all knew it was a shot at Biggie. Jeru, Nas, Wu...all the big "real Hip Hop" acts were fighting the shiny suit army but they had already lost that battle.
That's what was happening when Jewelz dropped. All the "real heads" were mad at the R&B chickenhead on the hook single, the blatant Hot 97 formula. I remember DJ Khaled brought O.C. down for his promo tour and just a couple hundred heads showed up. Club half empty and shyt. That shyt's gotta be demoralizing for the artist but he still performed a solid set.
That was the problem. O never stood out from the crowd. He was never wack, but didn't have that charisma that stars have. So he was in the lyrical miracle lane ever since Organized Konfusion. Anyway, girls heard the single and liked it, danced along and all but there was nothing else there for them. Besides, Mase was ruling that lane at the time.
Then the nail in the coffin were his own words "I'd rather be broke and have a whole lot of respect" he said that shyt and it became a prophecy
