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A major label isn't capable of making millions of people gravitate to your sound. Quik not having major label backing has nothing to do with it. Unlike artists, producers make names for themselves without a label. For example, Timbaland and The Neptunes did not have major label backing when they got their first major placements.
Quik's catalog doesn't compare to Dre's. The albums Dre's done are across the board classic from casuals to the most thorough bred Hip Hop head.
Dre did far more than co-sign Eminem. Eminem learned how to really perfect his flow and structure songs from working with Dre. Eminem's biggest album is helmed by Dre. 50's best album is the one that has the most involvement from Dre. Same goes for Game. Game had a Dre single, his biggest single. Banks and Buc were G Unit artists, but neither of thwir albuns or singles werw as big as Game's. There goes the G-Unit co-sign. Dre isn't as hands on with Kendrick, but when Kendrick talks about what he learned from Dre, it is evident that Dre helped hone his talent.
Dre produced Mary's biggest hit. Same goes for Eve. Dre helped Busta become a platinum selling artist again after Anarchy ended his streak of platinum albums. 2Pac's biggest hit is produced by Dre.
Storch benefited from Dre more so than vice versa. Dre took Storch from a keyboardist to a producer. That far outweighs Storch playing keys on a singular hit for Dre. Even then Storch wasn't the only one on keys.
Sugar Dree being as big as Snoop Dogg is laughable. He lacks a lot of what made Snoop Dogg great: the charisma, the laid back/smooth flow/delivery.
And again, major label backing means nothing. Interscope has had as many flops as it has had successes.
Point taken on Dre showing Eminem how to approach records but a lot of them joints was produced by Bass Brothers, Dre and Mel-Man and Em himself. Quik did some ghost producing on The Eminem Show and Encore.
But the biggest favor Dre did for Eminem was a damn co sign cause without Dre, Eminem would've stayed a backpack rapper. Dre gave him the vision of selling the whole "trailer park white trash", along with Iovine I'm sure. Again, Dre coming from N.W.A. and co signing this white dude with talent (at the time) is the ultimate co sign cause it makes Eminem look authentic as an artist. Plus having a label like Aftermath/Interscope with that push always helps.
The best record ain't always thee biggest hits contrary to popular belief. Mary's Family Affair joint is a hit, no denying that, but compare it to the shyt did back from like 92' to 97', naw up to 99' there is no comparison. That song might've won by mainstream appeal but it ain't fukking Real Love, Love No Limit, Reminisce, My Life, I Can Love You, Deep Inside etc
As for that era of Busta on Aftermath, Busta by that point was washed and corny to me, tho I've never really been a Busta fan like that. Look, MC Hammer went platinum, how much of that shyt was corny? Get my point? Just cause something goes platinum don't mean the music is always good. It's a nice accomplishment for the artist and for the millions of people who bought it and liked it but for the few who bought it and didn't like the album, well, it's a let down.
Not to take away from Dre having SOME hand in producing California Love but you know he got the idea from Quik, right?
Dre heard Quik singing "California knows how to party" and Dre was like
and then did California Love. The Remix is ghost produced by Laylaw and his homie D-Mac.Laylaw Discusses His History With Dr. Dre, 2Pac, Ghost-Producing "California Love (Remix)"
Here go the joint "West Coast PopLock" by Ronnie Hudson that Quik was singing that in turn gave Dre the idea to do California Love
Scott had been doing his thing with The Roots and while Scott is talented, I ain't saying he's a great producer, he's more so a great pianist. He just added a nice addiction to bring out what would've probably been a flat sound or maybe not even existent to Still Dre.
Suga being the pimp rapper that he is, still wouldn't be as big of a star as Snoop even if he did have a major label backing him cause if he did have a major label backing him, he wouldn't be the same artist cause he'd have to tone that shyt down in order to be more accessible to the masses, so it would never work.
But to say he lacks the charisma Snoop has, I don't know about that. From a non commercial point of view and just looking at the both of them as unfiltered artists, I'd say he's just as charismatic as Snoop. Suga Free is like Richard Pryor in a way. That type of comedy and "swag".
And last, Quik uses session musicians too.
Of course he does, to play the music he can't with the live instruments that he don't play. But we talking bout exactly what they bring to the studio as producers.




