Oscars 2014

[#1 pick]

Except Miley has no talent

They have nothing in common besides a haircut.



She's mixed race Brazilian.

She's okay.

She looks like a skinny Brazilian Ronaldo with hair

 

[FrederickDouglas]

This is weird.

All these black people on The Coli calling 12 Years A Slave propaganda designed to portray blacks in a subservient position, I.e. slavery...

Meeanwhile all the white racists I see on forums hate this movie and the idea of it winning Best Picture because they think it's propaganda designed to portray whites as evil and cause "white guilt"...

So "black" people have the same negative view as white supremacists of a movie written and directed by black artists?

Encouraging the same false narrative that there are "too many slave movies", echoing the sentiments of white supremacists?

Using the legitimate argument that we need more of a variety of black films as a means to criticize films that continue to shed light on the suffering black people have experienced in this goddamn country?

It smells like infiltrators and c00ns in here.

 

[Goat poster]

This is weird.

All these black people on The Coli calling 12 Years A Slave propaganda designed to portray blacks in a subservient position, I.e. slavery...

Meeanwhile all the white racists I see on forums hate this movie and the idea of it winning Best Picture because they think it's propaganda designed to portray whites as evil and cause "white guilt"...

So "black" people have the same negative view as white supremacists of a movie written and directed by black artists?

Encouraging the same false narrative that there are "too many slave movies", echoing the sentiments of white supremacists?

Using the legitimate argument that we need more of a variety of black films as a means to criticize films that continue to shed light on the suffering black people have experienced in this goddamn country?

It smells like infiltrators and c00ns in here.

further proof that EVERYBODY is full of shyt.

to Steve McQueen been a big fan of his since "hunger" and "hung" ....... oscar was well deserved.

 

[keond]

This is weird.

All these black people on The Coli calling 12 Years A Slave propaganda designed to portray blacks in a subservient position, I.e. slavery...

Meeanwhile all the white racists I see on forums hate this movie and the idea of it winning Best Picture because they think it's propaganda designed to portray whites as evil and cause "white guilt"...

So "black" people have the same negative view as white supremacists of a movie written and directed by black artists?

Encouraging the same false narrative that there are "too many slave movies", echoing the sentiments of white supremacists?

Using the legitimate argument that we need more of a variety of black films as a means to criticize films that continue to shed light on the suffering black people have experienced in this goddamn country?

It smells like infiltrators and c00ns in here.

Too many slave movies = THREE in the last 25 years

Cacs just dont like that heat. And c00ns dont want to be reminded of their past because that bring pain to their white friends and fam.

 

[Desirous]

I'm laughing so hard at this pic

 

[Desirous]

Man

 

[Dwolf]

Man

 

[Goat poster]

Man

 

[Box Cutta]

Wow so, this is pretty fukking late for me to be hearing about this, but I just found out that John Ridley (Writer of movie on far right) is an even bigger c00n than I suspected : http://www.xojane.com/issues/oscar-winning-screenwriter-john-ridleys-ner-problem

Back in 06, dude wrote this disgusting, white orientated, frankly, racist article using the fukking terrible "******/Black People" dichotomy. Esquire had reposted it after he won his oscar..I just heard about it five minutes ago.

http://www.esquire.com/features/essay/ESQ1206BLACKESSAY_108

THE MANIFESTO OF ASCENDANCY FOR THE MODERN AMERICAN ******
For eleven days in 2001, two blacks ran our country. It's their example and their achievement—and not the culture of failure fomented by the leftovers of the Movement—that must set a new agenda for black Americans.

Published in the December 2006 issue of Esquire. Written by the 2014 Academy Award winner for Best Adapted Screenplay, for 12 Years a Slave.

LET ME TELL YOU SOMETHING ABOUT ******S, the oppressed minority within our minority. Always down. Always out. Always complaining that they can't catch a break. Notoriously poor about doing for themselves. Constantly in need of a leader but unable to follow in any direction that's navigated by hard work, self-reliance. And though they spliff and drink and procreate their way onto welfare doles and WIC lines, ******s will tell you their state of being is no fault of their own. They are not responsible for their nearly 5 percent incarceration rate and their 9.2 percent unemployment rate. Not responsible for the 11.8 percent rate at which they drop out of high school. For the 69.3 percent of births they create out of wedlock.

Now, let me tell you something about my generation of black Americans. We are the inheritors of "the Deal" forced upon the entrenched white social, political, and legal establishment when my parents' generation won the struggle for civil rights. The Deal: We (blacks) take what is rightfully ours and you (the afore-described establishment) get citizens who will invest the same energy and dedication into raising families and working hard and being all around good people as was invested in snapping the neck of Jim Crow.

In the forty years since the Deal was brokered, since the Voting Rights Act was signed, there have been successes for blacks. But there are still too many blacks in prison, too many kids aggrandizing the thug life, and way too many African-Americans doing far too little with the opportunities others earned for them.

If we as a race could win the centuries-long war against institutionalized racism, why is it that so many of us cannot secure the advantage after decades of freedom?

That which retards us is the worst of "us," those who disdain actual ascendancy gained by way of intellectual expansion and physical toil—who instead value the posture of an "urban," a "street," a "real" existence, no matter that such a culture threatens to render them extinct.

"Them" being ******s.

I have no qualm about using the word ******. It is a word. It is in the English lexicon, and no amount of political correctness, no amputation into "the n-word"—as if by the castration of a few letters we should then be able to conceptualize its meaning without feeling its sting—will remove it from reality.

So I say this: It's time for ascended blacks to wish ******s good luck. Just as whites may be concerned with the good of all citizens but don't travel their days worrying specifically about the well-being of hillbillies from Appalachia, we need to send ******s on their way. We need to start extolling the most virtuous of ourselves. It is time to celebrate the New Black Americans—those who have sealed the Deal, who aren't beholden to liberal indulgence any more than they are to the disdain of the hard Right. It is time to praise blacks who are merely undeniable in their individuality and exemplary in their levels of achievement.

It's a long article, and I apologize for that, but I've only quoted the very beginning...but it's one of those articles. He later goes into this heroizing of Condaleeza Rice and Colin Powel....

I really hate shyt like this. He's on that SAS, Kobe, "I'ma distance myself from other blacks" shyt...except he had the audacity to legit call "his own" () people ******s.

This was published in fukking ESQUIRE....far from a black orientated magazine. This tells me that he wasn't trying to rally his people....he was fishing for back-pats from whites.

I'm all for self-criticism, but this dude is outta control with this one.

It ALL makes sense...12 years a slave, non-black wife, fukking condescending attitude....