krulesweatshirt
All Star
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Kamasi Washington is jazz and is on the list (I saw him somewhere in the 30-40 range)
he was also #2 in 2015
Pitchfork have already included a lot of coutry albums in the past, but the word is metal and country albums were wack compared to other genres this year.
most of the rnb albums on their list are ranked just as high on other magazines lists tbhI also want to say that I don’t think Pitchfork is really that Knowledgable when it comes to R&B music as a whole.
That’s not what I’m getting at.most of the albums on their list are ranked just as high on other magazines lists tbh
They hire people based on what they know too. They have contributors who used to write for Vibe, Ebony and whatever. It’s not like a closed group of people who only have experience from Pitchfork.That’s not what I’m getting at.
I feel like they’re are R&B artists out there doing their thing that they tend to ignore. But it’s becaus they don’t make Alternative-styled R&B.They hire people based on what they know too. They have contributors who used to write for Vibe, Ebony and whatever. It’s not like a closed group of people who only have experience from Pitchfork.
see my last sentence in the post above. It’s not only RnB it’s all genres. If you make shyt that sounds shyt that has been, you better make it a lot better or maybe as good is their motive.I feel like they’re are R&B artists out there doing their thing that they tend to ignore. But it’s becaus they don’t make Alternative-styled R&B.
I’m not taking about all other genres. I’m talking about R AND B.see my last sentence in the post above. It’s not only RnB it’s all genres. If you make shyt that sounds shyt that has been, you better make it a lot better or maybe as good is their motive.
I said that they don’t care too much for artists who aren’t innovative in any genre not only RnB, so why would they give RnB some special treatment. It’s originally an alternative (to radio) magazine, now a lot broader but they at least half heartedly tried to maintain one thing. Not really messing with people who don’t innovate sound but keep it safe and conservative. No matter if it’s Arcade Fire; a former favorite of theirs, Damon Albarns projects, Jay-z or anyone else.I’m not taking about all other genres. I’m talking about R AND B.
I never downplayed their knowledge of other genres (I actually look to them for their opinions in that regard). I feel they could talk about other artists in addition to the ones they like to talk about in terms of R&B.
Just because someone isn’t “innovative” or what have you doesn’t mean that they aren’t making great music that shouldn’t be talked about. Good music is good music. It doesn’t matter what style it is. So I disagree with that completely.I said that they don’t care too much for artists who aren’t innovative in any genre not only RnB, so why would they give RnB some special treatment. It’s originally an alternative (to radio) magazine, now a lot broader but they at least half heartedly tried to maintain one thing. Not really messing with people who don’t innovate sound but keep it safe and conservative. No matter if it’s Arcade Fire; a former favorite of theirs, Damon Albarns projects, Jay-z or anyone else.
I.e. it’s not just RnB that gets that treatment, that doesn’t mean that they don’t understand any genre they just don’t like conservatism. I have mans that are rock-heads who say that about rock, and mans who are “real hip hop” heads who say that about hip hop.
So what do you think about cover bands?Just because someone isn’t “innovative” or what have you doesn’t mean that they aren’t making great music that shouldn’t be talked about. Good music is good music. It doesn’t matter what style it is. So I disagree with that completely.
You’re completely missing my point. Lol.So what do you think about cover bands?
Should someone who makes an identical cover to Illmatic get the same 10/10 from pitchfork?
In 90s hip hop, biting used to be the worst sin for a rapper. Mumble rap would’ve been more respectable back then, when having your own unique style and you kept on developing it was how you won cred. Look at the 90s rappers who didn’t evolve into something new, they all got left in the bushes for the new class. Somewhere along the line people started putting music into boxes like “real”.