Rza is doing an AMA on reddit right now

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Who were your biggest musical inspirations when you were just starting out as an artist? I'd really like to know.

authenticRZA
Hiphop itself. And funnily, the GZA was a guy I looked up to. And I can also say the pioneers of hiphop beats such as Marley Marl, and Scott La Rock.
 

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Hey Rizza, big fan. Thanks for everything you do for hip hop and being one of the best on the boards. I've always wondered is Tarantino an honorory member of Wu tang or what? Also who are some of your biggest hip hop producers that influenced you? Do you crate dig a lot of stuff to sample?

authenticRZA
Tarantino can be considered an honorary Wu member. LOL. Marley Marl was a big influence, and in the 90s while I was making hiphop, I was always impressed with the production of Dr. Dre. Yes, I still dig.
 

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Can you share any memories of your tour with Rage Against the Machine?

authenticRZA
That was one of the highlights of my career. At the time, Wu-Tang had the #1 album in the country, and we began playing some of the biggest venues that we had to that date. One of my best memories is when Zack broke his leg on tour, and needed a little energy during the New Jersey show, and I came out and rocked the stage with him. The rest of the Wu went home. :(
 

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Hey RZA, What was it like working with the Black Keys? Did you guys synch up pretty quickly? I saw some videos and it looked like steak meeting potatoes for the first time. Everything flowed so smoothly!

authenticRZA
yeah, Dan and Pat are two cool guys. We actually hung out a few times, first before we made music together, and when making the song The Baddest Man Alive, we spent 2 weeks in the studio together, and recorded a lot of demos.
 

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What is your best memory from the set of Brick Mansions?

authenticRZA
Besides having my family come to set, and seeing the remarkable work that everybody was doing, I have to say eating vegetarian food with Paul Walker.
 

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How was working with Earl Sweatshirt? I've heard that during the making of Molasses, you spit a freestyle for three hours.

authenticRZA
Yeah, we got zoned out that night. He's a cool cat. And I think he will be a great talent in hiphop.
 

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Bobby!!! In your books you describe a festival in which the other members of the Wu were not cool with playing (Lollapalooza '96 IIRC) and I think you stated this was when your role as the leader/dictator of the group started to wane... Did your influence ever recover from that? Say when trying to put together new material today do you find it more difficult to bring the Wu together and lay it down in the same way as you functioned back in the earlier days?
Wu-Tang Forever!!!

authenticRZA
You said it all.
 

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What was it about Gravediggaz, and the horrorcore genre in general, that appealed to you when it was first starting?

authenticRZA
At the time, being young and thinking of my childhood nightmares, I wanted to write songs from the darker side of my mentality. I feel like the Gravediggaz are the pioneers of this mentality of lyricism. Hiphop could use a few more doses of it now.
 

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RZA- I'm a huge fan of you and the entire Wu! Your music has had an enormous effect on my life, and it was the Wu that made me the hip hop (and music) fan I am today. Thank you for that.
Some questions:
Do you feel about the 'dumbing down' of hip hop today?
How did the Gravediggaz come about and what ultimately led to you moving away from them?
How come we never saw a Boot Camp / Wu-Tang super album?
Ok, the last one is half joking.

authenticRZA
HipHop goes in circles as all music does. And I'm sure it will revitalize itself.
The Gravediggaz came about when Prince Paul decided to put 3 of his favorite MCs into one crew. I thought of the idea to make it Gravediggaz, something that was crazy and different. Nothing led me away from them. We lost The Grym Reaper, but still, me and the Gatekeeper record songs together every now and then.
Haha.
 

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:russ:


dear the RZA, im an insane racist who did some great work ONE TIME and now the entire åestern åorld is trying to harass me until i kill myself. its likely that Goole or my ISP or even Microsoft is blocking my access to certaqin communications, why, i canot even send standrard post in the mail, as Grillflame dikkwads are okay with harassing me. Life stinks and i mis Aaron Swartz a whole lot. So, ive a questi0on,
whose fudging idea was Ghost Dog anyway. Was it really some little boy who wanted itqlian americans to treat other human beings who arr also suffering with dignity and kindness, You will die last, Ha Ha Ha Ha! or was it ONLY Jim Jarmusch`s udea. seems like a lot of cool action for Jim Jarmusch. and what about Coffe and Cigarettes or how about MAN WITH THE URON FISTG? why are people okay with harassing some tiny person locked away by himself and now harassing his parents. This stinks, RZA. i sent you, like, hella letters because i really like your Purpose, i appreciate how you strive to relieve suffering for all people using your own exp3riences in the Wu-Tang Clan and now, i cant even read a book because my imagination flares up and tries to kill me. i really do not WANT to hurt people but they seem rather pleased to hurt me.
i have fi-- excuse me, four years to live and 0people are trying to kill me. im super lame, lame. but what do you expect? the entire western world was happy to use my dreams and leave me on the side of the road. You understand qhy i believe myself to be a person from Africa who was tossed over the side of the boat with a long line of others, ust, swept under the carppet, in order to save their own hides from criminal prosecution.
what the fudge is wrong with us, RZA? Why do we believe two wrongs make a right?
 

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:lolbron:


Prince Rakeem! Just wanted to give you a shout out for saving my life (or at least my wallet) way back when.
12 years ago, I’m serving a Mormon mission in Brazil. I’m assigned to a poverty stricken area of Curitiba, a city of about 2 million people. I’m 20 years old, young enough to think I’m invincible and stupid enough to not heed the advice to stay out of this particular neighborhood. This is one of those “favelas” that you hear about in the news. Houses made of plywood, cardboard and tarp; a river of feces, trash and decaying dog carcasses; red dirt roads that turn into streams during rainstorms and a whole lot of people walking around that didn’t really have anything to do other than observe those who didn’t belong. This is the same place where you read about nightly murders in the newspaper. The problem was, this neighborhood was right in the middle of our area and it made it difficult to get from one side to the other without passing through. Although my mission companion and I had been through the neighborhood a handful of times during the day, we had never ventured to pass through at night.
Well, this night a meeting of ours goes particularly late at night and we are dead tired after a long day. From where we were, we were going to have to walk around the outside of the favela to get home and that was about an hour-long walk. Instead, we decide to cut through the favela to cut it down to about 20 minutes. At first, the decision seems like the right one. The moonlight is blanketing the road, the night is freezing but still, and even though there is always the lingering stench of rotting dogs, it just isn’t that bad tonight. The road we choose to walk down is the same one we’ve used in the past, but now that it’s night I start to realize some things I hadn’t before. The road is like a chute, without any roads intersecting it. It’s like a long hallway of back-to-back shanties and decaying cement buildings with no exit other than the two ends. As we walk, I start to see figures in the shadows ahead on both sides of the road. As we get closer, the figures start to meander to the middle of the road. My companion, who has only been in Brazil for about a month is oblivious to anything going on. I casually look behind me to reconsider our choice of road, and I see five figures, evenly spaced across the road, walking toward us. I turn back and see the figures ahead of us have formed a line across the road as well. By this point, even my naïve little friend knows we’re screwed. As we approach the group I notice that the men all wearing heavy black clothing: big coats, baggy jeans, boots, hoodies, winter caps. But one detail struck me immediately. All of them are wearing at least one article of clothing bearing an emblem I knew very well. It was the Wu-Tang logo. Mind you, I was obsessed with Wu-Tang in high school and knew pretty much anything there was to know about the group. As we stop, looking the men in the face, the lines of men behind and in front of us meet to form a circle around us. The man directly in front of us asks, “Perdidos?” and the man to his left reaches into his coat and begins to pull out what looks like the back of a black semi-automatic handgun. Before he pulls the gun from his coat, I almost subconsciously blurt out the only thing I could think to say: in Portuguese, I ask “You guys are Wu-Tang fans?” The man pulling the gun immediately pauses. The man who first spoke asks “What do YOU know about Wu-Tang?” I respond by telling him that I’m a huge fan and I know all about them. Obviously they doubt everything I’m saying. After all, I’m a white kid, wearing a white shirt and tie, with a part in my hair. At that moment I began to realize how I wouldn’t believe myself either. They begin to quiz me! One thing after another—names, nicknames, alternate names, rapping styles—I’m nailing it all! After about 10 minutes of Wu-Tang trivia, they’re convinced and they ask us to come back to one of the guy’s house to watch the latest video. They told us repeatedly how we were the coolest white people they knew.
From that day on, we were in with the local gang and you really don’t know just how good of a thing that was.
 
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