Sounds of Blackness - Optimistic

R-Typ3

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Nah, they ain't gonna let that era of positive black imagery and sound EVER come back to how it was in the late 80's eighties to mid 90's, at least not in the mainstream.

The consciousness in the music was actually translating into another movement back then..that's when gangsta rap finally got it's big push on mainstream level. @PhonZhi

Can you imagine those label meetings...Well, we can't have somebody doin music that uplifts people especially those blacks that would be too controversial in this political climate..Better a nation full of androids zoned on pills and syrup 'cause they're much easier to program and control ;-)
 

Wear My Dawg's Hat

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Can you imagine those label meetings...Well, we can't have somebody doin music that uplifts people especially those blacks that would be too controversial in this political climate..Better a nation full of androids zoned on pills and syrup 'cause they're much easier to program and control ;-)

Well, what happened to the Black-owned labels that released uplifting music?

"Optimistic" was on Perspective Records. Black-owned by Jimmy Jam and Terry Lewis.

"Love Is The Message" was on Philadelphia International Records. Black-owned by Kenny Gamble and Leon Huff.

"Ain't No Mountain High Enough" was on Motown Records. Black-owned by Berry Gordy.

Why is this generation now so dependent (as always) on white executive leadership to provide
"positive media"?
 
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I was on Wikipedia lookin up their production history.

Prolific would be a grave understatement:wow:

Jimmy Jam and Terry Lewis are the greatest production duo of all time. Them brothers range in music is unimaginable. Like, they can make a hit out anything!

You right, prolific would be a understatement. How bout infinite --- their talent and creativity
 

Jemmy

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Nah, they ain't gonna let that era of positive black imagery and sound EVER come back to how it was in the late 80's eighties to mid 90's, at least not in the mainstream.

The consciousness in the music was actually translating into another movement back then..that's when gangsta rap finally got it's big push on mainstream level. @PhonZhi


You got a point but there's been a lack of black owned independent labels that cover ALL aspects of black music. Not like how it was back then. With the industry making money again hopefully some young entrepreneurs pop out. Gospel is the foundation of Black American music we gotta appreciate it more. Our greatest artists and producers came out the church.
 

The M.I.C.

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Well, what happened to the Black-owned labels that released uplifting music?

"Optimistic" was on Perspective Records. Black-owned by Jimmy Jam and Terry Lewis.

"Love Is The Message" was on Philadelphia International Records. Black-owned by Kenny Gamble and Leon Huff.

"Ain't No Mountain High Enough" was on Motown Records. Black-owned by Berry Gordy.

Why is this generation now so dependent (as always) on white executive leadership to provide
"positive media"?

Each and every one of those labels got bought out.

Barry Gordy basically got tired of the music industry and wanted to make his way into Hollywood doing movies. It was basically "We'll let you do your movies but we want your catalogues and artists in exchange." Gordy made a mint off of that cause even in the event that his movie production didn't last (it didn't) they gave him a good chunk of cash to keep him comfortable. Sad.

Jerry Moss and Herb Alpert helped Terry and Jimmy start up Perspective Records. A&M Records were BIG in the late 70s to early 90s..Look up the artists they had. They were forcefully bought out by Polygram aka UMG in the 90s which meant Perspective was folded up and made defunct.

Philadelphia International was bought out by Sony and Huff/Gamble just use PIR to handle licensing of their music. That's it.

This music shyt is serious..Those companies mentioned above have catalogues of music worth millions upon millions of dollars and in this business, if you have a Motown or something of the like.. You have guaranteed generational income. Black folks ARE not allowed to have that in the music industry amongst other things. Period. My uncle told me about how CBS records would use mafia dudes to scare/beat up black artists to make them compliant back in the day or they'd cut a massive check to get us to turn over masters and shyt.
 
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