Homeboy Runny-Ray
From Around The Way
Nope..
5 Mic Album rating..
Certified classic
Cant re-write history
rewrite what history?
I don't live hip-hop thru magazine ratings.
besides, they only gave it 5, because they just gave 5 to the blueprint.
Nope..
5 Mic Album rating..
Certified classic
Cant re-write history
rewrite what history?
I don't live hip-hop thru magazine ratings.
besides, they only gave it 5, because they just gave 5 to the blueprint.
It didn’t get a xxl or 5/5 from vibeStillmatic wasn't given 5 mics because of The Blueprint. Stillmatic stood on its own merit due to the following:
- it wasn't just a comeback, it was seen as a return to form
- "Takeover" was supposed to be the death blow to Nas's career, but Nas managed to bounce back
- some of the best songs Nas ever made are on Stillmatic
This wasn't them just awarding an album just because. This was an album that really had an impact that reached beyond just the beef. It's an album that truly fit the definition of a classic as it really was one of those must have, essential albums that was a moment in Hip Hop. Was it Illmatic level? No, but this album occupied its own space and time. It reminded fans of what made Nas one of the best in the first place. He gained new fans and in the process silenced many of his naysayers.
Dude really penned a story backwards in which he changed the syntax of the sentences fit the concept and the story still made sense. Then there's "2nd Childhood", which is a brilliant song. There's songs like "You're Da Man" and "One Mic" and especially "One Mic" because he experiments with pitch and the intensity of the lyrics is amplified by going from him talking to him nearly screaming. The music also changes with his voice. "Stillmatic Intro" is one of the craziest intros ever. There's "Ether", which is one of the best disses ever. To me, "What Goes Around" was the icing on the cake. The bonus song, "Every Ghetto" has two of the best verses he ever spit.

It didn’t get a xxl or 5/5 from vibe![]()
This would be relevant if we were discussing what it got in XXL or Vibe. Furthermore, a high score from XXL and Vibe never held as much weight as the mic system. Even when The Source was deemed irrelevant, XXL and Vibe were giving out perfect ratings, nobody complained about Kim getting a perfect rating from them but much focus was applied to the 5 mic Source review.



All I know BP got the holy trinity of perfection in 2001
Stillmatic wasn't given 5 mics because of The Blueprint. Stillmatic stood on its own merit due to the following:
- it wasn't just a comeback, it was seen as a return to form
- "Takeover" was supposed to be the death blow to Nas's career, but Nas managed to bounce back
- some of the best songs Nas ever made are on Stillmatic
This wasn't them just awarding an album just because. This was an album that really had an impact that reached beyond just the beef. It's an album that truly fit the definition of a classic as it really was one of those must have, essential albums that was a moment in Hip Hop. Was it Illmatic level? No, but this album occupied its own space and time. It reminded fans of what made Nas one of the best in the first place. He gained new fans and in the process silenced many of his naysayers.
Dude really penned a story backwards in which he changed the syntax of the sentences fit the concept and the story still made sense. Then there's "2nd Childhood", which is a brilliant song. There's songs like "You're Da Man" and "One Mic" and especially "One Mic" because he experiments with pitch and the intensity of the lyrics is amplified by going from him talking to him nearly screaming. The music also changes with his voice. "Stillmatic Intro" is one of the craziest intros ever. There's "Ether", which is one of the best disses ever. To me, "What Goes Around" was the icing on the cake. The bonus song, "Every Ghetto" has two of the best verses he ever spit.
Which has nothing to do with what Stilllmatic did or didn't get. I would give BP and Stillmatic classic ratings for differing reasons. And Vibe isn't exactly a Hip Hop magazine. It gave out discs (their version of mics) to albums that weren't Hip Hop albums where The Source rated those in the alternative section without giving out mics.
youre missing his point.