ThrobbingHood
“I’m Sorry for 2025”
Genuinely speechless.
I know identifying black is still new to you but you're the only one joking in this thread![]()
The Bedwench Monologues.
Naw I don’t rock with any of that bullshyt. Let me put it like this, as long as us Black men occupy the ass end of society, things like this play will continue to be common place, and there will be plenty of takers amongst our own who will enthusiastically whore themselves for the dominant group, men and women alike.Okay -- I thought you meant going "mgtow", because that's a common reaction...
is this a better play than sugar in our wounds, the one about 2 gay slaves!?
I gave her the benefit of doubt but it’s over, the line has been drawn and she chose her sideShe's so pretty but when you look her up in interviews she seems like she on that Shea Butter, theroot.com bullshyt. I been looking at her funny for a while
Seems like she got in this to be in something critical and popular (among whites)Mr. Harris does not squander the satirical opportunities this setup offers. Words like “positionality,” “minoritarian” and “heteropatriarchal” get quite a workout as Ms. La Tour and Ms. Lucio mine characters whose intelligence has been co-opted by cant. And though some of this material could use pruning, Mr. O’Hara proves the perfect collaborator in staging it, playing the comedy so bright and dense that you don’t have the bandwidth to grow bored. Nor do you notice, until you’re too far along, that comedy is not all it is.
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“Slave Play” asks a lot of the audience, too — but let me speak just of myself. It’s hard for a critic to heed what seems to be its general instruction, at least to white people, to shut up for once and listen. If you are in the reviewing trade, you wonder whether that’s just a feint at foiling criticism. So be it.
Seems like all the white reviewers are eating this up. I almost want to see a review from an actual black person, but I'm pretty sure what kind would be interested in the source material in the first place.
Review: Race and Sex in Plantation America in ‘Slave Play’
SLAVE PLAY is the recipient of the Rosa Parks Playwriting Award, the Lorraine Hansberry Playwriting Award, The Lotos Foundation Prize in the Arts and Sciences and the 2018 Paula Vogel Award.
SLAVE PLAY at New York Theatre Workshop begins 11/19!
Jeremy O. Harris Named 11th Recipient of Paula Vogel Playwriting Award | Playbill
Already winning awards just for writing this.