The absence of Funk's influence is a big reason for the disconnect between old and new Hip Hop.

dora_da_destroyer

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i don't think it's funk, i just think it's a reflection of kids who grew up with parents that grew up on rap. if you were born 70's-early 90's, you may listen to rap, but your parents music was soul/disco/funk/r&b from the 50's-80's, but kids born mid 90's and later were likely born to parents whose music was rap, i think that created a whole different foundation for these kids, add to the fact they're the generation to grow up in schools without music programs, they just don't have the same type of foundation and exposure other generations had.
 

mobbinfms

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There's no real structure or organization to Hip-Hop anymore.
Excellent point. And a musical genre needs some foundational elements (structure or organization) to differentiate it from other genres. What we call hip hop today, often doesn't have those foundational elements present from the 80s to the 2000s.
 

Long Live The Kane

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No you were speaking in generalities and was proven wrong.

What stats do you look at to measure who listens to Kurtis Blow?

And sounds do change, but there’s always been a thread that connected black music from the old spirituals all the way through most of hip hops history that wasn’t disconnected until now.

If you don’t recognize that fact you’re probably a cac or a cac minded nikka.

The best I can tell, the bolded is the thesis of this thread... But it is not a fact... The primary direct influencer of contemporary hip hop, is older hip hop... Which was of course black music... There is no disconnect, not from the lineage of black music anyway... The real disconnect is the same one there's always been, a lack of perspective and willingness to accept change from previous generations... Which leads to a reactive callousness and lack of stated appreciation from the upcoming new generations

But that's all just generic bullshyt that'll always repeat over and over (it's not like 90s hip hop was embraced as the rightful heir to the black American musical tradition by old heads back then... There was MAJOR pushback :mjlol:) ... When actually considering the music stuff like two of the biggest recent hits G Eazy/Cardi No Limit and Fergs Plain Jane both directly drawing from 90s 3-6 is unmistakable and undeniable...not to mention the funk riffs on Migos stir fry or more subtle and random shyt like Young thug channeling Louis Armstrong in songs lol
 

mobbinfms

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I don't know if this is completely true...

it's folks from then who would take from ANYTHING...i'm not sure it mattered what color the source was.
If YOU YOURSELF are a funky muthafucca - you can take anything and make it funky.




I mean, this is the most non-black chit ever at first glance and listen...
...but we got a thread right now that says the samples in it led to what may be the greatest hip-hop song ever.





And that's just one example.
KRS was singing Billy Joel on "The Bridge Is Over".
Beatnuts was sampling children's TV shows.
Three 6 Mafia was deep in the chit sampling obscure horror movie scores.


Like I said earlier, I don't believe it's so much that they aren't sampling any funk/black music...
it's that these niccas ain't funky or black! lol
In a way, I guess that is a different chamber of what you're saying.

Great post.
I would completely agree that Tom Scott is the most non-black shyt ever...but my god his cover of Today was funky though :wow:
 

hex

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I didn't know that :jbhmm:

The only knowledge RUN DMC had of Aerosmith was "Toys In The Attic" had some nice drums. That's it.

Rick Rubin mentioned the collaboration, they outright refused. Said Aerosmith was some "hill billy bullshyt". Lyor Cohen, who was their manager at the time, also thought it was a terrible idea. Rick Rubin framed the song as trying to legitimize hip-hop as "real music" to the masses so they followed through and did it. Still didn't like it, and wouldn't even perform it at concerts. It wasn't until the song blew up that they grudgingly agreed to perform it.

This speaks volumes on how other, non-black genres were perceived by rappers back then. At worst they were seen as "hill billy bullshyt"....at best they were seen as something that could be incorporated into hip-hop, but never to the point it over shadowed it. Which obviously changed with "Walk This Way".

Fred.
 

Blackout

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I didn't say that at all. Not once.
You just said that the claim that sampling anything was the norm was said on the first page and you agreed with it :stopitslime:

The truth is that black sources was the main source and not “everything”

That’s how Run DMC stand out to this day since getting non black sources wasn’t the norm until this new era.
 

IllmaticDelta

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The best I can tell, the bolded is the thesis of this thread... But it is not a fact... The primary direct influencer of contemporary hip hop, is older hip hop... Which was of course black music... There is no disconnect, not from the lineage of black music anyway... The real disconnect is the same one there's always been, a lack of perspective and willingness to accept change from previous generations... Which leads to a reactive callousness and lack of stated appreciation from the upcoming new generations

But that's all just generic bullshyt that'll always repeat over and over (it's not like 90s hip hop was embraced as the rightful heir to the black American musical tradition by old heads back then... There was MAJOR pushback :mjlol:) ... When actually considering the music stuff like two of the biggest recent hits G Eazy/Cardi No Limit and Fergs Plain Jane both directly drawing from 90s 3-6 is unmistakable and undeniable...not to mention the funk riffs on Migos stir fry or more subtle and random shyt like Young thug channeling Louis Armstrong in songs lol


exactly
 

Taadow

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You just said that the claim that sampling anything was the norm was said on the first page and you agreed with it :stopitslime:

The truth is that black sources was the main source and not “everything”

That’s how Run DMC stand out to this day since getting non black sources wasn’t the norm until this new era.

Sampling "anything" was the norm, and I stand by that claim...I didn't once tally if most of those "anythings" were black,
because I think that's (1) splitting hairs and (2) that's probably a side effect of the music they had the most access to.
 
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