no examples?
Nas - Life is Good (No ID)
Common - Be (Kanye West)
Kanye West - Late Registration (Jon Brion)
Kendrick Lamar - GKMC (Dr Dre)
Those four came to mind first since each one is an example of a producer crafting the entire feel and sound of an album. Not by making every beat but by challenging the artist, providing advice, adding instruments, etc.
Exec producers are pretty common in other genres like rock where Rick Rubin has had huge impact on multiple artists for instance. The artist ultimately makes the music but the exec producer is there from the beginning to take tracks from sketches to demos to finished product.
Rap was better when projects/albums had dedicated executive producers when that generally drastically declined in the 2010s we saw less 5 star albums/ classics.
Good examples. And it's definitely no coincidence that most of my favorite projects in the past 10 years have been from artists that have used good executive producers, or are also pretty good executive producers themselves. Rick Ross I think is a solid example of an artist that has a good executive producer type of ear--a lot of these artists know their strengths and weaknesses, and they're good at highlighting the former while downplaying the latter.Nas - Life is Good (No ID)
Common - Be (Kanye West)
Kanye West - Late Registration (Jon Brion)
Kendrick Lamar - GKMC (Dr Dre)
Those four came to mind first since each one is an example of a producer crafting the entire feel and sound of an album. Not by making every beat but by challenging the artist, providing advice, adding instruments, etc.
Exec producers are pretty common in other genres like rock where Rick Rubin has had huge impact on multiple artists for instance. The artist ultimately makes the music but the exec producer is there from the beginning to take tracks from sketches to demos to finished product.
Yup it should be a partnership, where the artist has some say and the exec producer is trustworthy. Quincy Jones famously didn't like Billie Jean and didn't think it was a hit. Sometimes you have to let things play out.Exec producers and A&Rs. Artists get too caught up in their own shyt sometimes. They throw away or don’t like amazing beats/songs (Havoc about to delete Shook Ones 2 is one example) or they do the opposite and allow stuff onto an album that just isn’t up to scratch or doesn’t really fit the overall theme/sound.
Yup it should be a partnership, where the artist has some say and the exec producer is trustworthy. Quincy Jones famously didn't like Billie Jean and didn't think it was a hit. Sometimes you have to let things play out.
@Piff Perkins I had to do a double take. I actually didn't realize Dre executive produced GKMC.