The intro to Wu-Tang forever is an all time terrible start to a CD (goat albums with WOAT intros)

mitter

All Star
Joined
Jan 24, 2013
Messages
3,827
Reputation
142
Daps
10,802
Reppin
NULL
I remember putting this disc in like finally...there is no way this shyt is bad....no fukkin way

s-l1200.webp

:banderas:

And that first track I was 13/14 like ":dahell:" uhh...alright...

Album is a pure classic but I was like WTF is this dude talking about and the beat...was wtf is this shyt...and it NEVER ENDS

This is a woat intro on a goat album.


I began to appreciate it after a while, but it would have worked better if the intro was just the brief movie clip that leads into "Reunited"
 

Plankton

Superstar
Joined
Jul 17, 2012
Messages
4,365
Reputation
3,563
Daps
17,512
Reppin
Bikini Bottom
Album is a pure classic but I was like WTF is this dude talking about and the beat...was wtf is this shyt...and it NEVER ENDS


I'm going to explain to you why the intro actually makes sense. As someone who was seriously on his deen in 1997 (I don't subscribe to Islam now but I did in 97) that intro made perfect sense especially if you are familiar with the NGE and the meetings at the school in Mecca. That intro was like a meeting and Papa Wu represented an older God enlightening. When you hear dude in the intro asking questions and pleading like someone who is lost in the wiilderness that's a representation of how when you went to the school on any given day and you were a curious spectator there might be someone at the door ready to either answer any questions you have or they'd let you in and pass you off to someone else who can answer any questions you have. Like how in the intro to "Black Jesus" on Ironman, you hear Ghost asking questions and Papa Wu answering. The intro was like getting a peep into one of the meetings. It showed how the Wu were really attempting to drive home their 5% representation to the world. In all honesty, the intro is actually perfect as an opener to a Wu Tang album for the year 1997. Every 5% acknowledged the year 97 as the year Born God including Rakim that same year on his comeback album The 18th Letter so it only made sense that in the year Born God that a Wu Tang album have such an intro.

If you've never been to a meeting at Mecca I can understand why it might have gone over your head but to someone who was familiar it made perfect sense.
 
Joined
May 1, 2012
Messages
74,514
Reputation
13,507
Daps
261,896
Reppin
206 & 734
I'm going to explain to you why the intro actually makes sense. As someone who was seriously on his deen in 1997 (I don't subscribe to Islam now but I did in 97) that intro made perfect sense especially if you are familiar with the NGE and the meetings at the school in Mecca. That intro was like a meeting and Papa Wu represented an older God enlightening. When you hear dude in the intro asking questions and pleading like someone who is lost in the wiilderness that's a representation of how when you went to the school on any given day and you were a curious spectator there might be someone at the door ready to either answer any questions you have or they'd let you in and pass you off to someone else who can answer any questions you have. Like how in the intro to "Black Jesus" on Ironman, you hear Ghost asking questions and Papa Wu answering. The intro was like getting a peep into one of the meetings. It showed how the Wu were really attempting to drive home their 5% representation to the world. In all honesty, the intro is actually perfect as an opener to a Wu Tang album for the year 1997. Every 5% acknowledged the year 97 as the year Born God including Rakim that same year on his comeback album The 18th Letter so it only made sense that in the year Born God that a Wu Tang album have such an intro.

If you've never been to a meeting at Mecca I can understand why it might have gone over your head but to someone who was familiar it made perfect sense.
I respect that fully :ehh:
 

boogers

7097556EL3/93
Supporter
Joined
Mar 11, 2022
Messages
12,433
Reputation
6,246
Daps
35,955
Reppin
#catset #jetset
wu-tang forever imo is a lot like is was written. two albums that took a lot out of the artists, and took forever for me to get into

i consider them classics now but not at first listen. i had to mature more myself before i really appreciated it

i go back now to a lot of stuff i ignored when it was happening, and its a lot better than i remembered
 
Joined
May 1, 2012
Messages
74,514
Reputation
13,507
Daps
261,896
Reppin
206 & 734
wu-tang forever imo is a lot like is was written. two albums that took a lot out of the artists, and took forever for me to get into

i consider them classics now but not at first listen. i had to mature more myself before i really appreciated it

i go back now to a lot of stuff i ignored when it was happening, and its a lot better than i remembered
In both cases we had just lived thru 93, 94, 95, and (half of, for IW) 96. Our standards were real high. So, in the moment not being awed but them is understandable.

Completely different artist but same thing for me on the west, for "the hall of game" by E-40. Compared to 92-95 West Coast, it was cool in the moment. I play it back that shyt was fire, one of his best.
 
Last edited:

get these nets

Veteran
Joined
Jul 8, 2017
Messages
57,861
Reputation
16,111
Daps
212,650
Reppin
Above the fray.
In both cases we had just lived thru 93, 94, 95, and (half of, for IW) 96. Our standards were real high. So, in the moment not being awed but them is understandable.
We heard Poppa Wu on the intro to Rae's Northstar and the outro to the greatest Wu song ever All That I Got Is You.

So this was an underwhelming appearance by comparison. Foreshadowing the underwhelming album
 
Top