Three 6 Mafia a top 3 influential group that doesn't get their due credit

[10:31]

This has nothing to do with Eightball & MJG sounding like Three Six Mafia. You're letting the stanning blind you. The point isn't that they sound anything alike. The point is that Eightball & MJG were by far just as influential if not more influential than Three Six Mafia. They were out the gate a bigger group than Three Six Mafia. Three Six did not have a Comin' Out Hard. The production with the chants as hooks style song structure pioneered what you're giving Three Six sole credit for.

You want me to play your game but you can't post 10 jawns

Because those ten don't exist

So onto your game, I don't agree with 8Ball's quote about them co-creating the sound


I actually agree more with Pimp's quote regarding Three six sound.

Pimp didn't split the credit, he gave them full credit. I'll post the quote if you like?

 

[Still Benefited]

If they got that "triple 6" shyt from anybody...it was from Ganksta Nip/SPC...he/they had a DJ/Producer named "triple 6" NIP used to always shout him out and namedrop him in songs



Listen to the beginning...

both Paul & Infamous named Ganksta NIP/SPC as one of their primary influences...Lord Infamous outright said NIP was his favorite rapper...and Paul & Juice would sample the living shyt outta NIP/SPC's music in the early-to-mid-90's...and they put his name in the Mystic Styles album credits... so put 2 & 2 together...

I doubt they even knew who Brotha Lynch was in 92-93...never heard them once sample his music...or even mention him...and Paul & Juice sample every got damn body...if you ain't been sampled Paul & Juice...best believe you ain't shyt...they even sampled their enemies like Squeeky, Zirk & BONE right in the middle of their beefs.





You geekin mo'

Fair enough,well there you have it....there were multiple groups and people doing the dark sinister sound,saying triple six,doin tongue twisting horrocre style within the same timespan all by coincidence...so maybe its just not as unique,or rocket science based on what already existed as people in here claim,and maybe not as many people were soley influenced by 3-6 as yall claim....its just funny how 3-6 and they fans are staking claim on Migos style when they said they didnt get it from Lord Infamous....if 3-6 claims to have pulled that style outta thin air maybe Migos did too,or maybe they gotnit from someone else

They have said "People comparing Migos to Bone Thugs N Harmony(wow)"....they did do a remake of Notorious Thugs.

Didnt asap mob do songs with Bone Thugs too

I already said 3-6 deserves some credit,its the all encompassing credit yall tryna give them in this thread that dont add up...yall workin on a trickle down theory of influence,yet sumhow find a way to put them over NwA in terms of influence

 

[JustCKing]

You want me to play your game but you can't post 10 jawns

Because those ten don't exist

So onto your game, I don't agree with 8Ball's quote about them co-creating the sound


I actually agree more with Pimp's quote regarding Three six sound.

Pimp didn't split the credit, he gave them full credit. I'll post the quote if you like?

I'm not trying to discredit what Pimp C is saying. You can post the quote.

And if you want to play the game of posting joints:



^^^ For starters.

 

[10:31]

I'm not trying to discredit what Pimp C is saying. You can post the quote.

And if you want to play the game of posting joints:



^^^ For starters.

Yeah, that's what I want to hear

Post those links

You've got 9 to go

Ball & G didn't co create anything with Juice/Paul.

By the way, I'm not a three six stan nor do I hate any other producer regardless of where there from.

 

[JustCKing]

Yeah, that's what I want to hear

Post those links

You've got 9 to go

Ball & G didn't co create anything with Juice/Paul.

By the way, I'm not a three six stan nor do I hate any other producer regardless of where there from.

You also have this joint:

 

[10:31]

You also have this joint:

Mr Big sounds nothing like tear the club up music

Are you being serious or trolling?

 

[JustCKing]

Mr Big sounds nothing like tear the club up music

Are you being serious or trolling?

Listen to "Lay It Down" then listen back to "Mr. Big".

 

[10:31]

Listen to "Lay It Down" then listen back to "Mr. Big".

Breh....

I fukk with Ball & G the Longway.. Mr Big is not tear da club esq in any capacity

my God

 

[H.I.M.]

Fair enough,well there you have it....there were multiple groups and people doing the dark sinister sound,saying triple six,doin tongue twisting horrocre style within the same timespan all by coincidence...so maybe its just not as unique,or rocket science based on what already existed as people in here claim,and maybe not as many people were soley influenced by 3-6 as yall claim....its just funny how 3-6 and they fans are staking claim on Migos style when they said they didnt get it from Lord Infamous....if 3-6 claims to have pulled that style outta thin air maybe Migos did too,or maybe they gotnit from someone else

They have said "People comparing Migos to Bone Thugs N Harmony(wow)"....they did do a remake of Notorious Thugs.

Didnt asap mob do songs with Bone Thugs too

I already said 3-6 deserves some credit,its the all encompassing credit yall tryna give them in this thread that dont add up...yall workin on a trickle down theory of influence,yet sumhow find a way to put them over NwA in terms of influence

Your comment is all over the place breh...fuk is u even talmbout?

None of that has nothing to do with anything i've said in this thread...i was mainly addressing that ridiculous Brotha Lynch shyt...

 

[H.I.M.]

@CleinB

Ball & G didn't "co-create" the sound with 3-6...Ball & G are the chief architects along w/ DJ Squeeky & DJ Zirk who were all apart of the same crew and from the same neighborhood...Paul & Juice definitely contributed to the growth of the sound, expanded on it, and took it to another level and remained consistent to the sound after Ball & G abandoned it...but they lifted those production techniques from Ball,G, Squeeky & Zirk who were using it 1st.

3-6 are responsible for making the sound hot in ATL in the late-90's...Ball & G had long abandoned the sound by then and picked it again in the early 2000's after 3-6 made it hot outside of Memphis.

 

[10:31]

@CleinB

Ball & G didn't "co-create" the sound with 3-6...Ball & G are the chief architects along w/ DJ Squeeky & DJ Zirk who were all apart of the same crew and from the same neighborhood...Paul & Juice definitely contributed to the growth of the sound, expanded on it, and took it to another level and remained consistent to the sound after Ball & G abandoned it...but they lifted those production techniques from Ball,G, Squeeky & Zirk who were using it 1st.

3-6 are responsible for making the sound hot in ATL in the late-90's...Ball & G had long abandoned the sound by then and picked it again in the early 2000's after 3-6 made it hot outside of Memphis.

Like I told the young Breh a few hours ago I'm a 8ball and MJG fan and they didn't co-create the tear da cloud sound in capacity shape or form

I prefer the pimp c perspective to Ball's comments about being a co creator.

As Pimp said, "three six mafia started all that shyt, and if you ain't giving them credit you a buster"

I asked the breh to give me 10 Ball & G jawns pre 2004 that had the tear da club sound

He named 1.

The other 1 he names was so off base I couldn't tell whether he was trolling or being serious

 

[H.I.M.]

Like I told the young Breh a few hours ago I'm a 8ball and MJG fan and they didn't co-create the tear da cloud sound in capacity shape or form

I prefer the pimp c perspective to Ball's comments about being a co creator.

As Pimp said, "three six mafia started all that shyt, and if you ain't giving them credit you a buster"

I asked the breh to give me 10 Ball & G jawns pre 2004 that had the tear da club sound

He named 1.

The other 1 he names was so off base I couldn't tell whether he was trolling or being serious

Breh...this is not even up for debate...this is easily verifiable, well documented fact in Memphis...there's no cherry picked quotes you can pull up to change reality...

I'm talking strictly the production-style and techniques that people claiming Paul & Juice CREATED...Ball, G, Squeeky & Zirk were using them 1st...

And Lay It Down came out before the orginal Tear Da Club Up..."9 Little Miliameta Boys" is a crunk ass record that has all the "trap" stylings...back when that dropped both Paul & Juice's production style hadn't developed into the sound that they're famous for today...all you have to do is look up their underground tapes from the time period to confirm what i'm saying...they had the "dark sampling" shyt down...but they weren't using those patented drum & bass paterns, sped-up hi-hats, rolled snares etc. Ball, G, Squeeky, Zirk were already using all of these techniques...Paul & Juice didn't start putting it all together until about late-93 AFTER Coming Out Hard dropped and DJ Zirk's "Too Thick" tape (which Paul & Juice probably sampled more than any single project EVER)

And "Tear Da Club Up" music has been around in Memphis before Paul & Juice were even making beats and were just club DJ's...DJ Spanish Fly, Pretty Tony, SMK, Gangsta Pat, Al Kapone, Ball & G etc. were all making "tear da club up" music before Paul & Juice...

 

[10:31]

Breh...this is not even up for debate...this is easily verifiable, well documented fact in Memphis...there's no cherry picked quotes you can pull up to change reality...

I'm talking strictly the production-style and techniques that people claiming Paul & Juice CREATED...Ball, G, Squeeky & Zirk were using them 1st...

And Lay It Down came out before the orginal Tear Da Club Up..."9 Little Miliameta Boys" is a crunk ass record that has all the "trap" stylings...back when that dropped both Paul & Juice's production style hadn't developed into the sound that they're famous for today...all you have to do is look up their underground tapes from the time period to confirm what i'm saying...they had the "dark sampling" shyt down...but they weren't using those patented drum & bass paterns, sped-up hi-hats, rolled snares etc. Ball, G, Squeeky, Zirk were already using all of these techniques...Paul & Juice didn't start putting it all together until about late-93 AFTER Coming Out Hard dropped and DJ Zirk's "Too Thick" tape (which Paul & Juice probably sampled more than any single project EVER)

And "Tear Da Club Up" music has been around in Memphis before Paul & Juice were even making beats and were just club DJ's...DJ Spanish Fly, Pretty Tony, SMK, Gangsta Pat, Al Kapone, Ball & G etc. were all making "tear da club up" music before Paul & Juice...

Breh linked Lay It Down and there was no debate from me

Once again, to say Ball & G co created it is false. There music early on wasn't tear da club esq. I can't go deeper and vouch for what or wasn't going on in the Mtown in the late 80s and early 90s but as a fan of Ball & G there music sounded more like old Geto Boys/UGK

 

[H.I.M.]

Breh linked Lay It Down and there was no debate from me

Once again, to say Ball & G co created it is false. There music early on wasn't tear da club esq. I can't go deeper and vouch for what or wasn't going on in the Mtown in the late 80s and early 90s but as a fan of Ball & G there music sounded more like old Geto Boys/UGK

That's because they stopped making their own beats after coming out hard...and outsourced their production to t-mixx, who was from Memphis but had a Cali/Texas g-funk-ish type production style.

On their 2nd album..."Lay It Down" is the only song on that album that they self-produced...and it's the only song on the album that sounded like a Memphis sounding track.

 

[H.I.M.]

Bump

http://www.thecoli.com/threads/guwop-names-his-favorite-90s-era-rappers-all-memphis-nikkas.451478/