One of my most listened to albums of all time
Old heads in Mississippi still freestyle and rap like old twista lol
Twista’s Po Pimpin def got play in NYC. I don’t know about Philly.yall gotta stop that "WHITE" chit.
it was more regional than a white/black thing.
twista always had white fans, at least by adrenaline rush. theyre the reason why i knew about him, and bought the album in the first place back in '98. they didnt play him on the radio up here, and it was the black folks who would ask me 'why do i listen to that'. not the white cats.
also, theres nothing especially hood about that album. its just standard gangsta gunplay content thats easy for suburbanites to follow. theres nothing intricate about the album in terms of hood content & nuances, nor is it slang-heavy. it doesnt alienate the white audience at all, even the girl records are moreso on the pimpish side, so white buls arent alienated by those cuts either.
of course it was.
i hope youre not insinuating that he was some sort of underground hood rapper in the mid-2000s. this is when he was extra-mainstream, and adrenaline rush was the album that was always name-dropped as his best work. so of course that album was on that chart thru that whole period.
Definitely. Lol. And I feel Treach is underrated as fukk as an emcee.He put Treach and The Beatnuts in a blender
in the mid-2000s??
youre talking industry placements.
im talking about whats really going on up top. twista was non-existent amongst east coast rap fans, aside from a few guest verses. he was never on the radio either. and im not sure why youre bringing up pimp rap as some sort of selling point. that stuff isnt popular up here.
all im saying is, it wasnt a black/white thing with twista, and his content certainly wasnt "too black".
he was just a regional guy whose bread-n-butter was the midwest and parts of the south until he clicked up with kanye/rocafella.
That Po Pimp song was huge. That's probably why he got the guest spot on Diddy's No Way Out album in '97 to be honest.I was referring to 1997.
He got love from people really up on things and I forgot he was on Ryde or Die Vol. 2 also.
He was basically an underground king. His verse on "Po Pimp" set him up for one of the best rebrands ever. Don't forget how big that song was also.
Definitely. Lol. And I feel Treach is underrated as fukk as an emcee.
Yup he bodied “Is This The End”That Po Pimp song was huge. That's probably why he got the guest spot on Diddy's No Way Out album in '97 to be honest.
What part you grew up in
yall gotta stop that "WHITE" chit.
it was more regional than a white/black thing.
twista always had white fans, at least by adrenaline rush. theyre the reason why i knew about him, and bought the album in the first place back in '98. they didnt play him on the radio up here, and it was the black folks who would ask me 'why do i listen to that'. not the white cats.
also, theres nothing especially hood about that album. its just standard gangsta gunplay content thats easy for suburbanites to follow. theres nothing intricate about the album in terms of hood content & nuances, nor is it slang-heavy. it doesnt alienate the white audience at all, even the girl records are moreso on the pimpish side, so white buls arent alienated by those cuts either.
of course it was.
i hope youre not insinuating that he was some sort of underground hood rapper in the mid-2000s. this is when he was extra-mainstream, and adrenaline rush was the album that was always name-dropped as his best work. so of course that album was on that chart thru that whole period.
I actually asked Vinnie about this he admitted Twista tore them a new oneHe put Treach and The Beatnuts in a blender