we gotta marginalize these trap producers

Doctor Wily

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:hula: it aint going nowhere especially now that all these white boy edm priducers are doing it.
Wanna bet?


As soon as they're done with it its pretty much a wrap.

They took cumbia and repackaged that shyt electronically as "moombathon"

They took Miami bass and added south American Portuguese to it and relabeled it as "favelafunk"

White producers run through sounds and do theyre best to abuse it or run with it as if they created the shyt.
 

illadope

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You can always tell who is directly involved in music with threads such as these. It's pretty comical at that
 
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Wanna bet?


As soon as they're done with it its pretty much a wrap.

They took cumbia and repackaged that shyt electronically as "moombathon"

They took Miami bass and added south American Portuguese to it and relabeled it as "favelafunk"

White producers run through sounds and do theyre best to abuse it or run with it as if they created the shyt.

word, its kinda :mindblown: if you look at alot of the dudes doing the trap edm thing started doing hip hop then moved on to house, then jumped on the bmore shyt, then the brazilian shyt, then the moombaton shyt.

all im saying is someone like baauer got everybody and their moms doing videos.wouldnt be surprised if pop artist start jumping on it too.
 

Danie84

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It's the beat that makes me bob my head, because the rapping is turrible. :yeshrug:
 

the cac mamba

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its pretty crazy that for a good two years, tapes and tapes and tapes are droppin that are full of the SAME fukkin beat
 
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The trap era has to be one of the worst in hip hop history. Not because of production but because everyone in the damn industry jumped on the bandwagon so fast.
 

Ezus Jezus

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nikkas give lex waaaaaay too much credit. That trap shyt (which is a hybrid of Crunk) started with dj Paul and juicy j.
 
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