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I haven’t listened yet but can someone tell me if the beats/snippets from his ig post like a month or two ago is on here or is that still for another album.
 

Jx2

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lmao it's funny hearing Westside Pootie get older and sassier with every release :mjlol:

Like before she was clearly just a toddler reciting some shyt Gunn wrote but that nah, that shyt she said here she sounded like she MEANT that shyt :russ:
That shyt she said about her school principal was flagrant and worthy of suspension :damn:
 

PlayerNinety_Nine

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Estee Nack came through and fukked up the entire flow of this album :pachaha:

This dude can fukk up ANY track you let him near

I've been sitting here for months thinking it was just me who felt this way about him. :russ:

Should have let Eastside Flip get another 16 instead :wow:
 
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Playaz Eyez

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BDP, Shootouts in Soho and Red Death are serious, production-wise. You can't ever lose with that vintage Griselda sound. I wanted to see Daringer on this one though. I knew we wouldn't get an actual RZA track that Gunn would rap over, lol. Not in 2022.

Also thought it was dope that Benny switched up the flow and acknowledged it on Red Death. I'm sure he was tired of everyone saying he raps the same on every joint. Solid project on the first couple listens. It's always good to get some new sh*t from WSG. Definitely gonna be playing this for a minute.
Sometimes I wonder if people actually know what being “one dimensional” is. There’s no Benny project that sounds alike, there’s no Pusha T album that sounds alike, yet these same people will tell me how diverse an NBA Youngboy album is with it literally sounding the same from start to finish despite them having 33 credited producers. Do people want artists like Benny and Pusha T to whine and squeal on tracks to “be diverse”?
 
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