nikkas/cacs will clown the shyt out of you if you ever quote a verse around them on the internet.....hell, even in real life.
Islam on the other hand be having dudes like.
Although the usual answer to "who invented rap" is the trio of DJ Kool Herc, Afrika Bambaata, and Grandmaster Flash
, the roots extend further back to black Muslim artists experimenting with rhyme structure and spoken word delivery in the 1960s. One of the earliest influences was the group the Last Poets, whose founding members included Abiodun Oyewole, Umar Bin Hassan, Jalal Nurridin, and Suliman El Hadi. The Poets were black radicals, detonating their lyrics on an America already on fire:
When the revolution comes
some of us will catch it on TV
with chicken hanging from our mouths
you'll know it's revolution
because there won't be no commercials
when the revolution comes

In their most famous spoken-word piece
"******s are scared of revolution," 
they pioneered the staccato speeded-up delivery that came to characterize rap rhythms. Simultaneously, this work began the reappropriation of the "N" word, a process now done to death by modern hip-hop:
******s are scared of revolution but ******s shouldn't be scared of revolution because revolution is nothing but change, and all ******s do is change. ******s come in from work and change into pimping clothes to hit the street and make some quick change. ******s change their hair from black to red to blond and hope like hell their looks will change.
The Last Poets were the original activist artists, combining their music and poetry with direct action including alliances with the SNCC (Student Non-Violent Coordinating Committee), the SDS (Students for a Democratic Society), and the Black Panthers. Their records were released during a period of violent confrontation, including the murder of two black students and the wounding of twelve others by police at Jackson State University, a daisy-chain of ghetto rebellions in 1970, and the FBI's national campaign to arrest Angela Davis. With their lyrics feeding into the fervor of the times, the Poets were heavily monitored by the FBI and police, and were arrested for trying to rob the Klu Klux Klan. Decades later, these same trends were repeated as the NYPD began surveillance of hip-hop groups, especially those with outspoken politics. Talking about the explosive effect of the Poets' early work, Darius James called it
"a bomb on black Amerikkka's turntables. Muthafukkas ran f'cover. Nobody was ready. Had em scared o' revolution. Scared o' the whyte man's god complex. Scared o' subways. Scared o' each other. Scared o' themselves. And scared o' that totem of onanistic worship the eagle-clawed Amerikkkan greenback! The rhetoric made you mad. The drums made you pop your fingers."[x] Amiri Baraka in turn identified them as rap's root source: "The Last Poets are the prototype Rappers." Baraka himself had converted to NOI, and influenced by that ideology and fever-pitch race tensions, wrote the blueprint gangsta lyric: