Why does Magna Carta suck again?

Bruce Wayne

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I listen to maybe 3 or 4 Songs now just barely and that's it. I refuse to Play this and Watch The Throne. Compared to everything else that Jay has put out this has to be the worst. Worse than Blueprint 3, Vol. 3 and Kingdom Come.

Stinko Malenko Gross. :camby:
 

NoHalfWay

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I thought Tom Ford was the most popular track on Magna Carta? :jbhmm:
Are you sure it's Tom Ford that's why people dislike the album? :lupe:
Like everyone else is saying, uninspired rhymes on a majority of the songs, lazy flows, etc.

The album starts off with JT's cac ass singing some shyt tailor made for a Disney movie for a minute before Jay starts rhyming in :flabbynsick: fashion.

Ironically BBC was one of the few songs that had a vintage Hov flow, and even that song is by far the weakest of Nas and Jay collabs.
 

lucky lefty

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If you're one of these delusional anti-Hov dikkriders still pretending that Magnificent Classic Holy Grail is anything but the 2013 AOTY, the #1 solo album of this decade, & an amazing work of art from the GOAT Hov then you need to do the universe a favor & set your dikk on fire like the GOAT Hov set them tracks on fire before you're allowed to dilute the gene pool by procreating

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But....but....but the GOAT Hov wasn't spitting? Too bad he bodied HG, Picasso Baby (3rd verse) FWMYKIGI, Oceans, FUTW, Heaven, JZB, SIA, Nickles & Dimes, & BBC plus dropped heat on Crown, OTR & even let loose some dope lines on the interludes (BIB, Versus) & was only lyrically slacking on Tom Ford & La Familia

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But...but...but his flow is off....too bad he bodied every single beat even worst than the OP's crackthot mother should've bodied him in the womb with a rusty hanger so he couldn't grow up to be a retarded fakkit who makes terrible threads

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But...but...but....but he's a trend hopper...too bad the album sounds like nothing that came out b4 or since, featured introspective luxury street content that no other rapper be spitting about at such an insanely high level if at all, and had minimal features including only two other rappers besides the GOAT Hov (Ross/Nas Lost) both of whom are OG's that he has long standing relationships with

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It's not a classic, but it is a great project (4/5 at worst) that showcased a mature, evolved, confident yet humble Hov who had perfected the art of rapping and translating that perfection into damn near perfect music

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From the lush production to the personal content to way he brilliantly executed the albums theme to the deliberately scaled back lyricism (compared to the complexity of WTT that is) it is very much his modern day Blueprint, & it crushed the buildings that summer and put the industry in a chokehold that will last until the GOAT Hov drops again

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*pours cup of D'Ussue and turns up Crown*
 

HDKG_

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uninspired raps talking about how rich he is and how he likes to party at art exhibits.
this.

I literally revisited this album yesterday ironically. I thought I liked it back then but now I probably only really like about 4 songs. I just wasn't feeling what he was rapping about :manny:
 

Love Sosa

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I'm catching strays from both hov stans AND haters :dahell::mindblown:

Didn't Hov always rap about luxurious things? Why did it all of a sudden become a problem on Magna Carta?
Waste of good beats. I have no problem with Hov rapping about luxurious things. But his voice and flow made the album unlistenable. Not to mention the corny subject matter
 

NYtymes

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i thought the album was decent:yeshrug: ... only song I didn't really like was the joint with nas...
 

SuburbanPimp

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Obviously Hov is held to a higher standard than most. It's wasn't great but also wasn't nearly as bad as some claim. It's was probably 3-4 songs I didn't really like (La Familia comes to mind) but songs like Heaven and Nickels and Dimes are good quality songs. It was obviously a thrown together album with some Throne leftovers... But I don't feel like it was bad album, it just wasn't one of his best. Enjoyed it more than Kingdom Come
 
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