I just listened to parts of her new album earlier today with my niece and sister and I thought it was pretty good. She was able to tell stories about love and heartbreak that young girls would find relatable. Next to little vulgarity in her songs unlike 99% of the mainstream black female artists.
And more importantly, I've always found her aesthetic a breath of fresh air in the IG era. That plain Jane, Girl-Next-Door look is a rarity in this era of whores.
I want young black girls looking up to women like that as role models not Summer Walker, Megan, Doja.
To be honest, this post is everywhere and asking 2-3 different things..
-are you talking about 'vulgarity' in the music itself- i.e- sex imagery, excessive profanity etc or are you talking about the BRANDING and IMAGE of 'mainstream black female artists' ..
the discussion you're looking to have is sorta complicated and has a LOT of moving parts and variables. First in foremost, a 'black female Taylor Swift' doesn't exist. T.S is the archetype of universally accessible white, conservative leaning all american girl that knew how to market and target/invest in the biggest demographic there is 'teenage-young Caucasian women' ..her music is inoffensive, safe and generic and catchy enough to pitter patter melodrama poptart bs to the major dominant society. There will never be a point in time in HISTORY that a black female will capture the great expanse of white mediocrity like Taylor has for all of her career.
Now, realistically 'the black taylor swift is basically code switch for rnb/urban contemporary adjacent music that hasn't had the type of infrastructure from the labels/industry exect themselves for a 'mainstream' anything in over 30 years. You're about 3 decades late.. This shyt is simple supply and demand.. there's no real sizable audience for the type of music that alotta posters here already mentioned to be mainstream in the way that the "summers/szas/dojas/mehgans/cardis are..
They're all indie/underground and basically freelancers because there's no audience to even support widespread distribution.. they're EVERYWHERE, too..
Kirby, Snoh, Jessie Reye, Sinead, Emily, Nao, Mahalia etc.
There's a discussion to be had one day about Hip hop CULTURE in general sorta cannibalizing black RnB.. in it's purity/authenticity. When hip hop based artists like drake, weeknd, partynextdoor, ty dollar sign, bryson tiller, future started adding melody/singing about content and subject matter with the same bluntness and vulgarity/obscenity as the most gutter rapper verses.. this point around 2011-2014 when Hiphop became the dominant listening genre that had single handidly captured the mind of the combined black youth at LARGE regardless of gender..this is when you started getting hybrids, RNb artists sing-talking, adapting the style/aesthetic as their male rapper counterparts.. when mainstream RNB realized in order to survive the new generation Z, they'd have to adopt all the traits and characteristics of a totally different genre..
this goes for men, too.. A lot of men/women in the rap world are singing more, doing more melodies and blurring the lines between RnB, trap song, melodic rap etc. and since hip hop is the DOMINANT sound, RnB artists now have to compete with rappers for a piece of the listener base. These RnB girls and dudes are now taking melodies and phrasing/rhythm from these rappers themselves.. that's why it seems so salacious and 'vulgar'. This conversation is moreso about the evolution of RNb more than anything else. The world wants our pain and the worse parts of our culture.. not our love/strength. This is by design!!