PrinceDeeDer
Rookie
Based God....
Based God....

Right, but I don't see Bleu having the grind to make it indie that most other artists would. I could see him doing shows, but I couldn't see him doing the promo necessary, the blog/radio interviews, the social media, the crafting of a good album, any of that.
But I get what you're saying. I know it takes big money to make big money. But someone has to find a way to break the mold. Tired of seeing artists like Big KRIT and Curren$y settling for majors then getting ran out of the building b/c they can't sell when they should have stayed indie.

Currensy is doing well on that Warner/Atlantic deal for a rapper who's niche is pretty small.
he's dropped 7 albums,4 Ep's and 2 Group Albums since 2009....some rappers wont even make it to 7 albums in their career
for him, a major label distribution deal is clutch....he makes a good amount of money off the Jet Life apparel too.
i can't call it on KRIT tho, cause i don't really listen to him or check for his music.

What year were you born? 1995?
It has nothing to do with the digital age. Multi-million selling artists signed to major record labels have been going flat broke and bankrupt in their prime because of "bad deals" with major record labels since forever. Most notably, it happened to TLC in the 90's.
http://www.mrldavis.com/industry_review/how-multiplatinum-artist-like-toni-braxton-and-tlc-can-go-broke-and-bankrupt/
And as far as "shows and appearances" there is something called a "360 deal" in this day in age where the record company takes a cut out of everything an artist makes.It ain't the 90's anymore where people are basically forced to buy a cassette or a CD at Sam Goody or Best Buy. Hella people download music and don'y buy the sh!t, myself and millions of others inculded, so major record labels wisened up and made 360 deals the norm.
But rappers have been signing bad deals with majors for decades. East Coast rappers in the 80's and 90's were harshly effected. My man from Jersey's old brother used to wait tables with Dana Dane. DJ Premier was locked in a bad contract with Warlock records. Philly Freeway was complaining about wanting to stop rapping but his record contract was forcing him to try to push out more albums.![]()
Never said Spitta isn't eating. He's eating nicely. But he has to do shows EVERY damn week to maintain that. If he took any time off, he'd be up out of here. But let's be fair, 3 of those 7 albums were indie released, Amalgam style.
But okay, another good example would be Chip Tha Ripper/King Chip. Had every chance to blow. And it's like... he doesn't know how. So instead of dropping heat, he's dropping random tracks here and there and fading to black. And he's better than a lot of rappers above him. But artists like him can't survive without a major. But he should be successful with selling albums while indie too. But can't.
Who's gonna be the rapper that can?
We're probably gonna have to see a rapper who either comes from money, or just raps as a hobby
almost on some reclusive/enigmatic type shyt like Prince, where he makes music when he feels like it...doesn't really care for the money/fame but still wants to give the fans good music
He's essentially what the Fergie Era The Black Eyed Peas were....making fun party music, that's still hip hop, but mainstream and safe enough to play on Top 40 stations.
when BEP had the #1 song in the nation for 6 months straight, we weren't calling it a W for hip hop,even when it was... cause they were THAT mainstream
it'd be a non menacing guy who made fun music for everyone to enjoy... or his polar opposite who sold like crazy off controversy and counterculture
it's funny you bring up 360 deals tho breh.
dudes like Tyler,Wiz,Mac Miller and Currensy aren't just selling their music, they sell their image too.
so for every dollar they don't see from album sales/singles,they have multiple revenue streams to pull from ( clothing lines,streaming music sites,shows/touring,reality tv/movies,endorsements etc.)
a fan might skip out on that $12 album, but still pay $25-50 to go that rappers concert and spend $25 more on some merchandise....watch their TV show,pay to see a movie they're in,drink their liquor, pay for streaming music service etc.
most of these horror stories you hear from artists with fukked up deals, are cause they had no business sense at the time....some dudes would've signed their lives over just to get on.
TLC in particular is a cautionary tale of some people who got hustled to the max, T Boz still hasn't learned how to manage her money either. she just recently had her house foreclosed on.
Freeway wanted to stop rapping, cause of Islam....but he knew he was contractually obligated to the label,until he put them albums out...that's another story for another thread tho.
Flo Rida and Pitbull completely debunk the idea of big singles will make you broke....those two pretty much made careers off that.
it's the music business tho, they sell dreams...somebody will forever get the shyt end of the stick.
When Jay-Z had Armendale, nobody even knew or cared. Cam's Sizzurp even fared worse commercially. And no, Puffy does not own Ciroc, he just pushes it. Alcohol is like clothes; its dominated by a handful of companies (i.e. Hennessy, Remy, various beer companies). Jordan and Polo dominate clothes nationwide.
Streetwear brands are also well established being well over ten years old (i.e. Stussy, 10 Deep) and having a steady core following that isn't going anywhere. Chances are that when a rapper's popularity fades, so does their corresponding clothing line.
The only place you can find Rocawear, State Property or Vokal is the damn thrift store or Burlington Coat factory, but the latter would be too complimentary. 
The machine works to grow the prison industrial complex with mainstream hustler-turned rappers with their imaginary riches, rented jewelry, cars and hoes.

T.I.