Both, they want ghostwriting and guys to be acceptable in a culture built on knowledge of self.
to be be receptive and accepting of the very thing we are against.
which is disco/house/edm/rnb/ and the gay community attached to it.
When hiphop is completely juxtaposed entirely.
Art Barr
lets address this, Why make Ghostwriting acceptable? and why Plant a Decent to good actor(actress) in Hip Hop(popular music)?
I've told yall this before. but as usual yall aint listening. to stuck on "i'm feeling this dude though.." to hear what i'm telling you.
The same reason the south is running hiphop is the same reason they love drake as a plant.
the south = subpar talent, making child level hooks that everyone can repeat on que, so people get hyped and buy the single(not the album, the single for most of these dudes, some albums for a very small portion of them).
The reason the Labels like this is because its easy to replace one.
Some of yall are to you to remember, but i remembered after Pac and Big was gone early on. Then Pun was gone. I remember How the game had a serious VOID in it. And these labels were literally chasing after anything and anyone who reminded them of those two dudes. this is why there were multiple pac clones and multiple biggie clones.
But they just couldnt pull it off. no one stepped up to the plate and became either of those guys. Jay slid in and did his own thing. he was neither pac, nor big. EM did his thing, 50 came thru and crushed the buildings, but again he was neither of those 2.
They were still looking for the next big and pac for years. until they realized it was an impossible thing to do. its organic. these guys come around every 10 years or so. and you have to be that A&R, or that homeboy who knows someone from the label or a DJ that knows someone. that puts you up on Biggie, Pac, etc. and you have to groom these dudes. pac wasnt always pac the ultra mega star and neither was big on his party & bull.... type music.
the labels got real lazy with looking for talent, and they got lazier with grooming talent. This means pac and big may never be found and groomed properly.
So now what? Fine artists that you can duplicate just in case one goes to jail, dies, or just stops rapping. You can wash, rinse, repeat with most southern rappers right now. thats a fact. one goes, another one pops up. that one goes, another one pops up. same sound, same cadence in their flow. same beats.
Here comes Drake. and actor, thats "WHITE" skinned. not even light skin to some white people. He has a nice little flow. he can hold a note. and he isnt so caught up in his craft that he's telling big wigs "i write my own ishh". He's like whoever you want to put me with for the better song. Fine by me. if you need me to do A, i'll do A, B, i'll do B. The advertisers know he's safe. because he was already on a TV show and he never got into any nonsense. whats the worse drake can do, get punched by an old 90's label head named diddy. nothing he started or finished. no one gets shot, no one gets jumped. no one even gets pushed. lol. Perfect label plant. he can act his way until he gets a hang of it. and thats exactly what he did. I told yall on SOHH. that his raps and singing was subpar when they pushed him on us. i said dude may be good one day. but not today and how is it that the professional labels are pushing an amateur on us like this? They had plans for dude. thats how/why.
It was disrespectful to all of the mixtape rappers that have been rapping for years that sound like PROS but they just need that break. and they pass all of them over for an actor that raps a little on the side and half sings.
They can go find another actor, throw him some bars and if he sings too( a lot of actors/actresses can sing a little bit, its apart of the artform of acting and being in plays growing up.) and next thing you know. we got the next drake once he falls off. Wash, rinse, repeat. it wont be that long 10 year gap like it was after big and pac.