The Roots :"Kendrick may be the only rapper who can make meaningful music on a mainstream level"

Sciz

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(AllHipHop News) Questlove released his first memoir Mo’ Meta Blues: The World According to Questlove back in June of 2013 but has not put the pen down. Today (April 22nd), the walking Hip Hop encyclopedia that is Questlove examines how Hip Hop has failed Black America.

Last week, Forbes announced that Dr. Dre, Sean Combs and Shawn “Jay Z” Carter had a combined estimated wealth of over $1.7 billion. According to Questlove, Hip Hop has developed into a popular genre whose popularity has become so pervasive that it is used to describe the entire Black race. After claiming artists such as Rihanna and Beyonce are labeled Hip Hop because of their association with Hip Hop artist, he explains how the culture of Hip Hop has become

And that’s what it’s become: an entire cultural movement, packed into one hyphenated adjective. These days, nearly anything fashioned or put forth by black people gets referred to as “hip-hop,” even when the description is a poor or pointless fit. “Hip-hop fashion” makes a little sense, but even that is confusing: Does it refer to fashions popularized by hip-hop musicians, like my Lego heart pin, or to fashions that participate in the same vague cool that defines hip-hop music? Others make a whole lot of nonsense: “Hip-hop food”? “Hip-hop politics”? “Hip-hop intellectual”? And there’s even “hip-hop architecture.” What the hell is that? A house you build with a Hammer?

One of Questlove’s fears with this development is that “need only squelch one genre to effectively silence an entire cultural movement.” Questlove explains the difficulty to provide meaningful music and make it popular in Hip Hop. However, he does admit that Kendrick Lamar may be the exception to the rule:

The winners , the top dogs, make art mostly about their own victories and the victory of their genre, but that triumphalist pose leaves little room for anything else. Meaninglessness takes hold because meaninglessness is addictive. People who want to challenge this theory point to Kendrick Lamar, and the way that his music, at least so far, has some sense of the social contract, some sense of character. But is he just the exception that proves the rule?




Questlove (of The Roots) Explains How “Hip Hop Failed Black America” | AllHipHop.com
 

TheDoc

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"I pray my dikk get big as the Eiffel Tower
So I can fukk the world for seventy-two hours"

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Is this what they call meaningful nowadays?
 

jerzboy

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Peter Parker

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Depends on what you mean by meaningful honestly, I would argue that what Drake raps/sings about is pretty meaningful, you know songs about love, life, and his personal struggles, in his music especially when he's crooning you can kind of tell thats who he really is, and its dope as hell

I would say the same for Kanye, even though he does a lot of stunting, he still bears his soul when he expresses his frustrations with expressing his creativity and all that jazz

I cant really think of too many others right now, but those guys along with Kendrick are the main ones
 

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Hard to agree when Cole's Crooked Smile is all over the radio. Lupe has released Words I Never Said, bytch Bad, and Old School Love as singles recently. All of which had some sense of social meaningfulness.
 

Sciz

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but tbh, mainstream hip hop has always been like that, you only have only 1 or 2 artists who make meaningful music on a mainstream level every 4 or 5 year
 
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