are you implying that jon b was bigger the Ginuwine??
didn't know celine dion was on that label. shes not an r&b artist tho. Ginuwine didn't benefit.
blackground may have been smaller than 550. I honestly don't know much about 550, seeing that it didn't have that much of an impact on r&b.
besides, Ginuwine didn't have an uncle who owned the label like Aaliyah did on blackground. regardless of which label is bigger, he didn't have the same machine. and he was still more popular.
and I already listed multiple reasons why Ginuwine was bigger than Aaliyah. while you just ignore it and repeat yourself. at best, you list some random industry chit like "she got a soundtrack single".
Aaliyah was kid chit breh. and she wasn't kriss kross or brandy level of kid chit.
Whether Jon B was bigger than Ginuwine is not the point. Thats a whole other argument. The point is 550 Music had a much bigger infrastructure and machine than Blackground. Blackground had no stars until Aaliyah.
Aaliyah's uncles are irrelevant to the argument as well. They weren't as integral as you'd like to believe. They ran the label, but Michael Haughton was her manager and as label heads, the Hankersons weren't exactly power players as Aaliyah was their biggest act. They definitely were Mottolla status who tan 550.
Aaliyah did much more than land Soundtrack singles. She is the reason why both Dr. Dolittle and Romeo Must Die sold 1.5 million as soundtracks and Ginuwine had songs on both.
In terms of the kid stuff, you're reaching with that. When Kriss Kross grew up, ironically they got Aaliyah to feature on their single. Nas had Aaliyah on his album, which obviously weren't attempts to reach kids considering the content of the songs.





