TheDarceKnight
Veteran
Always liked this song. Thought a good portion of his best beats were wasted on trash artists. Think that weighs a lot in this argument. He doesn't crack my top 15.
FWIW a lot of the best producers ever have worked with trash or at least very average or mediocre artists. From what experience I've had around some producers, many just want to work with people that they either get along with, or they find certain things about them interesting. They like how a certain rapper can ride the beat, or they like the way their voice sounds, or the artist is open to experimenting with different sounds, and the producer can use that artist to try some creative things of their own.
I've always been amazed how at little most producers care about lyrics or content, or things like that, when they pick who they want to work with.
In terms of full albums, or mostly produced albums...
Premier had his Group Homes, Blaq Poets, NYGz', Nick Javas', etc. Pete Rock has INI.
Dilla has Frank-n-Danks, Phat Kats, etc.
Even Kanye West had GLC, Consequence, and Really Doe. Dr. Dre had cats like Hittman, Bishop Lamont, and a gang of others.
Madlib has Strong Arm Steady, MED, and Guilty Simpson, and the goofy fukking white dude that's the lead singer for Future Islands. Example below. Guarantee Madlib did that because he finds it "interesting" and not because that dude is a next level rapper.
Alchemist has Domo Genesis, Boldy James, Willie the Kid, etc.
One of 9th Wonder's best produced albums is with Ness from Making the Band. And Murs is cool but is he really an "elite" rhymer? He's got 5 or 6 full albums with 9th.
Memphis Bleek got a lot of Just Blaze's best material.
It's nothing new for elite producers to work with average emcees.
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