We weren't legacy obsessed. We just wanted good shyt to listen to and it wasn't hard to find. Also, we sought out music from the generation before us and showed deference and respect to the classics from the 80s.
U think nikkaz is actually worried bout thatteenager
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I don't know you tell me. If he's so garbage why are there threads like this where people are actually acting insulted by his music.
I don't even consider him to be some sort of hip-hop savior, not even close, but it's amusing to see how uncomfortable the music from his camp makes some people.
I had a homie who's brother dj'ed, and I remember when he played Protect Your Neck for us. that shyt was amazing. it had that 'old school' feel, but it was fresh and new at the same time. then he played us the b-side...![]()
I will say they need to bring that sprit back but in a new way like the 90s cats did...but new dosent always = good...just peep radio rap...
I think new rap is pretty good![]()
Back in 93-94 there was no internet and my only income was a few dollars here and there from whatever, so I could only buy a new album like every 3 or 4 weeks. I didn't know some of those albums were going to end up as a classics, but I did know they were really dope. Back then I cherished each purchase, learned all the lyrics, read through the cd booklet, etc, since I wasn't going to get a new one for a while. I was mad as fukk when I bought a shytty album though. Nowadays I can download a new album whenever I want, so its not quite the same.
So, I was born in 91 and throughout my life I've always been intune with West Coast Hip Hop and East Coat Hip Hop as well. First tape I owned was Westside Connections tape (LOL a child should not be bumping that) and as I've gotten older I've started to understand why those that are highly respected in the genre are because of what they brought to the table, but it's taken me a while to understand why they're viewed as they are. My question for the older members are when you heard OB4CL and Enter The 36 Chambers, and all of the other albums, did you guys say "wow these guys are going to be hall of famers" or did you just go with the flow, give the MC props and then as time progressed started to view them as some of the greats? And if so why, do you believe that since the foundation has already been laid and those who are greats have been acknowledged, that my generation is so in search for MCs to represent us as a generation and how we were growing up that we're quick to either deny the presence of an mc of today simply because we have the ability too look back and view your greats of the time and say "that's how I want my generation to be represented"? And if so, do you think that's holding hip hop back from progressing because we're constantly looking for something that's not there and will never be there again? An example being Joey Badass and other MCs and fans who refuse to respect the present time MC and the progress in hip hop that should come along with the time? Is saying "today's hip hop sucks" just a sign of ones failure to adjust with the times and move forward?