Metal Face
Superstar
im surprised usual trolls on this site aint in this thread tryna shyt on this album 


I’d say Duel of the Iron Mic and 4th Chamber and maybe Shadowboxin are bangers that are least on a level higher than Daytona 500, and at least at the level of Shimmy Shimmy Ya, Brooklyn zoo.
There aren’t any club/party/female friendly cuts like Ice Cream, but that was obviously by design. Ice cream is probably my least favorite song on OB4CL

theres nothing to troll only east coast bias heads know this musicim surprised usual trolls on this site aint in this thread tryna shyt on this album![]()
Gza sounded sleepy on Pro ToolsTo each it’s in. Production was trash rhymes were aite it just wasn’t good



I will agree, especially from your breakdown, that those 3 albums would absolutely make for a more exciting listen, particularly for casual rap fans, than Liquid Swords probably wouldThese three albums alone blows Liquid Swords out of the water.
- OB4CL- Broke away from the whole martial arts theme, for a more mafioso theme. The beats stand the test of time. The fact that RZA had the gall to use John Woo movie samples to go with the flow of the album still blows my mind. Overall, it felt like a movie..plus the purple tape breh
- Return of the 36 Chambers-Screw the haters, but looking back at ODB's solo...it revolutionizes the game in more ways than one. It was like a Flava Flav solo with bars and better production. I can throw that album on and listen to it from opening to ending.
- Ironman- Its not Supreme Clientele, but another album that I would bump over Liquid Sword as it's smooth as hell. Like it had this fresh sound to it, compared to the old Wu sound. Daytona 500>>>>>>>
but it’s certainly mood musicBut with the arguable Daytona 500, those aren't even the best tracks on those albums. They probably aren't top half. But if you mean anchor tracks, I get it, but once again, Daytona doesn't fall into that category either.I get what you're saying.
I listen to 36 Chambers, OB4CL, & Ironman more than I listen to this one.
Nobody wants to say it, but the reason you're not as into it is that it doesn't have "bangers", or whatever the Wu-Tang equivolent of a banger is.
There's no "C.R.E.A.M." or "Ice Cream" or "Daytona 500" or "Triumph" on it.
It's just solid workmanlike hip-hop.
If you're not predisposed to be into sort of cold-weather East Coast beats, then it's easy to get bored by it.
Also, GZA isn't as charismatic as Meth, Rae, Ghost, or ODB.
Those dudes could've been stars even without Wu.
I think it's a 4 Mic record. "Shadowboxin" is one of the best tracks of the '90s & eventually, I think you'll get it.
It's a record that has to sink in. Each lyric is intricate. Every beat matches the mood. It's the rap equivalent of a gritty crime drama directed by Scorsese
I've always felt like the solo records were better than all the collective records outside of 36 Chambers
Yeah, all Koalas got gonorrhea, if I'm not mistaken.![]()

These three albums alone blows Liquid Swords out of the water.
- OB4CL- Broke away from the whole martial arts theme, for a more mafioso theme. The beats stand the test of time. The fact that RZA had the gall to use John Woo movie samples to go with the flow of the album still blows my mind. Overall, it felt like a movie..plus the purple tape breh
- Return of the 36 Chambers-Screw the haters, but looking back at ODB's solo...it revolutionizes the game in more ways than one. It was like a Flava Flav solo with bars and better production. I can throw that album on and listen to it from opening to ending.
- Ironman- Its not Supreme Clientele, but another album that I would bump over Liquid Sword as it's smooth as hell. Like it had this fresh sound to it, compared to the old Wu sound. Daytona 500>>>>>>>
Whoa, you serious b?Dirty's album is great.Whoa, you serious b?