The Straight Outta Compton effect: prepare to see a lot more rap films
The Straight Outta Compton effect: prepare to see a lot more rap films
The success of the NWA film has seen a renewed interest in formerly floundering biopics about the likes of Tupac, Ol’ Dirty b*stard and Public Enemy.
Straight Outta Compton has wildly exceeded expectations at the box office. In its second weekend the NWA biopic surged past the $100m mark – blockbuster status – and it only cost $29m to make. It will certainly top 2002’s 8 Mile, starring Eminem, which made about $117m. The last high-profile rap movie to hit multiplexes, 2009’s Notorious, did well too, nearly doubling its $20m budget. You don’t need an MBA to suspect that Hollywood is now taking notice and ready to make more money out of hip-hop biopics.
There have already been reports of a Straight Outta Compton sequel, which would take up roughly where the original left off, focusing on Tha Dogg Pound, Snoop Dogg and Tupac. This would make a certain sense, considering that Straight Outta Compton ends abruptly, with Snoop and Tupac appearing only briefly, and Tha Dogg Pound (AKA Daz and Kurupt) barely getting any screen time at all. I seriously doubt it will have the title that Daz mentioned to
TMZ – Dogg Pound 4 Life – however. For the film to have serious Hollywood backing it would probably need to focus on Snoop or Tupac, who are household names. (A representative for the studio behind the original, Universal,
says it has no plans for a Straight Outta Compton sequel.)
Speaking of Tupac, Straight Outta Compton’s success seems likely to finally bring about a biopic about him. The most recent version was slated to be directed by Boyz N the Hood director John Singleton, who also directed ’Pac in Poetic Justice. But actor Marcc Rose, who played him in Straight Outta Compton and who bears an
uncanny resemblance to the late rapper,
says that he and Singleton are currently in talks about bringing the project to life.
A true Straight Outta Compton sequel – at least in the spiritual sense – would probably require the involvement of
Ice Cube. Unlike his co-producer Dr Dre, who was initially skeptical about the NWA film, Cube long pushed for it. But since their musical pathways diverged when Cube went solo in 1989, he wasn’t especially involved in the careers of Snoop, Tupac or Tha Dogg Pound. Hence, he probably wouldn’t be much invested in a film about them. Closer to his heart would be a film about Public Enemy, who have long been closely aligned with Cube (their producers the Bomb Squad co-produced his first album Amerikkka’s Most Wanted).
When asked about such a film recently, Cube
said he was game. For his part, Public Enemy’s leader Chuck D didn’t show as much enthusiasm – “I ain’t acting in it, and I ain’t writing the script. Where do I figure into Hollywood?” he told the
Washington Post – but he didn’t rule out the idea completely either.
It’s easy to see why a Public Enemy movie might work as well as an NWA one. The groups gained popularity in the same era – hip-hop’s golden age, in the late 80s and early 90s – against a politically charged backdrop, each fighting the effects of Reaganism. But more importantly, they’re at the center of an emerging, hugely-popular new genre of music: classic rap. Just as classic rock became a dominant radio format a few decades after the dawn of rock ‘n’ roll,
classic rap stations are now spreading across the country. In the same way Paul and John, and Mick and Keith, are being re-discovered by each subsequent generation, Dre and Snoop, and Chuck D and Flava Flav, are now beloved by kids who weren’t yet born when they were in their heyday. Not to mention that the now-middle aged folks who grew up with this music are a potent demographic, as well. Straight Outta Compton showed just how much strong this fan base is.
Could it even work for the Ice Cream Man? Why not? No Limit Records founder Master P never reached the mainstream in the way NWA did, but his label sold millions upon millions of albums, and a generation of fans now thinks of it as “oldies”. So perhaps, then, one shouldn’t be surprised that the Master P biopic has
begun holding casting calls.
Indeed, artists from previous eras, who are no longer on the charts, tend to make the most compelling subjects for these types of films. I’d love to see a biopic on Lil Wayne, for example, but one suspects that if it were released 20 years from now, it would be a lot juicier content. (In the meantime,
The Carter is one of the best music documentaries I’ve ever seen.)
To be honest, Straight Outta Compton’s tribute to Eazy-E made me long for something similar about another deceased great. And so I say: Bring on the
Ol’ Dirty b*stard biopic, already!