@bigdaddy88 appreciated, ref the length I just make the beats so they are good to go for features, 4-8bar intro, 2x 16's, 4-8 hook/chorus/ outro.
Saves me time when I get those 'yooooooooo got any freee beatzzzzzz' emails![]()
and this is why I fukks with you.

Bout a year ago I had a dude from Germany hit me up wanting to drop some verses on a few of his beats. Dude sends me a folder with like 30 something beats. None of them beats were longer than 1 minute, so I hit dude up like, breh you got anything longer with some structure to it. Dude was on some take it or leave it shyt because that's his style, like I'm the one that originally hit him up. You already know I said fukk it after that. I'm not gon take the time out to write to some unfinished 4 bar loop interlude ass beat.

. Since I couldnt make a solid pick without thinking about it too much afterwards, what I did was write to some beats from each tape and record a bit (
(always been a jazz head even as a youngin). Supa be on that smooth shyt and I rock with that too
.
. I'd do it just to go to the dojo and train/absorb knowledge.


. Things were different when I was young head.
. My opponent clowned/said I was outdated sounding like camp lo and de la soul
when he stated he was working on his first official beat tape It was about to be lit
been listening to your work for YEARS. I sure I got some tracks in the stash still were I was freestyling or fleshing out songs
Clan has several styles that he is a master of but I always prefer that Wu-Ish trap sound that he does
anybody who has followed his work KNOWS what I'm talking about. But hell he is also very diverse and I like that on this tape you can tell he is playing with a lot of new sounds and techniques. Great work.


You got skills breh. Go ahead and bust off the mic...I got some work for you 

