Daz Dillinger: Tupac and Dr. Dre' got into it!

Mac Casper

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Bro I don't know who u think u talkin to but I'm WELL versed in the hip hop and industry recording process and I'm a producer,artist and engineer myself. I own a studio.

You're trying to play with a fallacy here, it's like a reverse ad-hominem or true-scotsman argument

I don't know where you fall along the spectrum and I'm not going to infer but there's plenty of people who've been working in a studio for 20 years and don't know a thing about music business beyond selling their own services, that's business but it isn't music business just because you're dealing with music. I'm not saying that's you but saying that you work in a studio doesn't automatically add any credibility to your obviously misunderstood idea of what a record producer is. The average person who sells studio services is working with are people who know next to nothing about the music business . . we're probably talking less than 2% of the studio services business going toward people who are actually involved in the music industry and the other 98% are dealing with dreamers

so is dr. dre like dj khaled?
no.
 

El Jefe

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The nerve of this MF daz ..

He should be talking on how Quik ghosted and added to all his beats on ' all eyez on me ' ..how Nike dean did majority of his production work post death row


And how soopafly was playing keys and taking a lot of production himself in those early days

U wonder why daz aint produce nothin worth anything since.mike dean left him

His own cousin ain't want his beats lmao
 

Piff Perkins

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Dre smh
snLplqq.jpg
 

James Worthy

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I doubt they were all daz, none of his stuff post Deathrow sounded that good

I didn't say Daz produced everything and I'm not claiming to know all the facts. I'm just saying how many times have you heard of Dre getting credit for work someone else did. Tha Dogg Food was produced entirely by Daz and thats a great album production wise. It would be no surprise to me that he had some input on other projects that Deathrow released but never got his due. The nikka produced "Ambitionz Az A Ridah" , "I Aint Mad Atcha" , shyt on the Above The Rim soundtrack and Murder Was The Case soundtrack/

*Ty Dolla sign voice*

Just give a nikka some credit!
 

DPG

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I didn't say Daz produced everything and I'm not claiming to know all the facts. I'm just saying how many times have you heard of Dre getting credit for work someone else did. Tha Dogg Food was produced entirely by Daz and thats a great album production wise. It would be no surprise to me that he had some input on other projects that Deathrow released but never got his due. The nikka produced "Ambitionz Az A Ridah" , "I Aint Mad Atcha" , shyt on the Above The Rim soundtrack and Murder Was The Case soundtrack/

*Ty Dolla sign voice*

Just give a nikka some credit!

"New York, New York" - DJ Pooh
"Smooth" - DJ Pooh
"Sooo Much Style" - Kurupt or Soopafly

Also, apparently "Some Bomb Ass p*ssy" was a leftover beat from Doggystyle and made by Dre.
 
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i heard quik was the one who did cali love

the remix was produced by laylaw :sas1:

The Real Story Behind 2Pac & Dr. Dre's "California Love (Remix)"
“I went on and played some music for him,” began ‘Law as he recalled his reunion with Dr. Dre in the mid-‘90s. “He heard a beat that he wanted, and it was the ‘California Love (Remix)’ beat. He was officially working on The Chronic 2 way back then. And that song was supposed to have been for his album. … So Dre did the song, a couple days later Roger [Troutman] come out [and] get on it. … A couple days later, ‘Pac hear it [and] ‘Pac get on it. A couple days later now it’s ‘Pac’s single. The very next day they wanna shoot the video. So within a week of us doing it, it became ‘Pac’s single.”

“So I’m like, ‘Alright, what’chu gonna do with my version? ‘Cause we have two versions of the song,’” he continued. “[Dre] said, ‘Your version’s the remix.’ I did it with my partner at the time, [D’Maq]. … [Dr. Dre] told me that he sent the credits into Suge [Knight] and Suge fukked it up. I called Suge. Suge said, ‘Dre never gave me the credits, ‘Law.’ … Mind you, Suge ain’t really worrying about putting my name on shyt. So I get in touch with Tupac, and ‘Pac telling me he trying to leave [Death Row Records], he just wanna finish these extra albums and he wanna leave. So, we just kicked back and just let [the situation] marinate.”

link
Laylaw Discusses His History With Dr. Dre, 2Pac, Ghost-Producing "California Love (Remix)"
 

spliz

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You're trying to play with a fallacy here, it's like a reverse ad-hominem or true-scotsman argument

I don't know where you fall along the spectrum and I'm not going to infer but there's plenty of people who've been working in a studio for 20 years and don't know a thing about music business beyond selling their own services, that's business but it isn't music business just because you're dealing with music. I'm not saying that's you but saying that you work in a studio doesn't automatically add any credibility to your obviously misunderstood idea of what a record producer is. The average person who sells studio services is working with are people who know next to nothing about the music business . . we're probably talking less than 2% of the studio services business going toward people who are actually involved in the music industry and the other 98% are dealing with dreamers


no.
I don't have a misunderstood idea of what a record producer is. I've been around legendary producers bro. And Ive spoken to artists who worked with Dre about his process. It's hard to even get that nikka in the studio. Lol. I'm not sayin Dre was never a creator. What I'm saying is Dre ain't been like that in a minute. My problem ain't even wit Dre tryna be a "traditional" producer. My problem is wit the nikka taking full credit for beats he barely had ANYTHING to do wit. It's not like he was in the studio directing cats like "I want u to play this. And I want u to play that". This nikka will get a full ready made beat. Mix it down. Add a few bells and whistles and with barely any changes and now it's his beat. shyt. Michael Jackson got into it with Quincy Jones who's a traditional producer in every sense of the word for doin that same shyt.
 
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I don't have a misunderstood idea of what a record producer is. I've been around legendary producers bro. And Ive spoken to artists who worked with Dre about his process. It's hard to even get that nikka in the studio. Lol. I'm not sayin Dre was never a creator. What I'm saying is Dre ain't been like that in a minute. My problem ain't even wit Dre tryna be a "traditional" producer. My problem is wit the nikka taking full credit for beats he barely had ANYTHING to do wit. It's not like he was in the studio directing cats like "I want u to play this. And I want u to play that". This nikka will get a full ready made beat. Mix it down. Add a few bells and whistles and with barely any changes and now it's his beat. shyt. Michael Jackson got into it with Quincy Jones who's a traditional producer in every sense of the word for doin that same shyt.


:salute:
i think the only album he's ever produced by himself was the d.o.c.'s no one can do it better :patrice:

1273412216_back.jpg
 
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why am i not surprised? :martin:

man, dre had too many cooks in the kitchen for him to be greatest then. he's always had a co producer with him. 1st it was yella, then it was daz, then it was sam sneed, bud'da, mel-man, scott storch, mahogany, focus, hi-tek, mark baston etc etc etc

dre's lane is the mixin'. but when it come to beats, it's other nikkas doin' the beats and he just comin' in and cleanin' them up :francis:

and while dr. dre might be a producer in the traditional sense, in hip hop, a producer means the nikka who makes the beats :wtb:

this makes me think back to when suge was interviewed by rolling stone and he was sayin' daz was the one doin' the beats for doggystyle :ohhh:

Suge Knight Reflects on 'Doggystyle' 20 Years Later


So DRE is the producer version of DRAKE:ohhh:
 
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