well then i stan for that flickBreh that movie is piff I seen it last month shyt looks like it came out today
i said on here before it was his last good movie
Does Will Smith have a "classic" movie?
- Thread starter andre patton
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i said on here before it was his last good movie
Poetical Poltergeist
Precise and cold hearted
nah..i always thought that flick was mad average.
Poetical Poltergeist
Precise and cold hearted
Well with Django, Will wasnt doubting QT...he just wanted to change the script up and be more fan friendly, action friendly. QT was like
but ironically through my own observation, thats kinda what qt ended up doing..that og django script didnt have that big shoot out, its was more of a quick draw kill on the bad guys after he blew up the house. so will got through to him on that level imo.
Well with Django, Will wasnt doubting QT...he just wanted to change the script up and be more fan friendly, action friendly. QT was like
but ironically through my own observation, thats kinda what qt ended up doing..that og django script didnt have that big shoot out, its was more of a quick draw kill on the bad guys after he blew up the house. so will got through to him on that level imo.
Word? See I read he wanted it the character of Django to be more how he was at the end of the movie not the beginning which is an issue Jamie had as well
Poetical Poltergeist
Precise and cold hearted
That too..he wanted to be the main character , qt thinks hes slick but we all see what he doing.
But the movie from a narrative and logical standpoint went exactly the way it should've. Who's to say all the stuff added to it wouldn't have been added regardless? A script isn't static
Poetical Poltergeist
Precise and cold hearted
True but Quentin stays pretty tight to his writing, he dont budge much. i honestly feel qt realized he needed a bigger climax to the film and he made some adjustments. I love his films but he cant help but remind u that hey, its me qt, this is my movie i directed. In case u forgot...ok back to the story.
Yeah no doubt but he's had moments like that on set where he thinks something should be bigger or smaller. He talked about it during his interview with Robert Rodriguez. The dialogue is the one thing he's normally a stickler for but I remember him saying he felt like the ending needed to be bigger while they were shooting so he went to his trailer and mashed it out
FlyGuy
pimp of the year
seen Django again last night...high...once they show him riding up in that blue outfit he was immediately the star in my eyes with King Schultz being his bumbling sidekick who gets him out of trouble
Basically. It's a movie about him growing into becoming that guy. Schultz isn't the star in my eyes once that scene comes because he's taking over. He's being aggressive rather than reactive and Schultz risks life and limb to help him out
FlyGuy
pimp of the year
the movie became so much better once that perspective hit me. Especially when Schultz said it was his obligation as a german to help save Brumhilda...it was such a tiny thing but that part of that scene became really important with how I see it now
Poetical Poltergeist
Precise and cold hearted
Not so fast..u cant be a bumbling sidekick when u make all the plans and have majority of the dialogue .not only that he teaches jamie how to be a gun fighter / bounty hunter...jamie takes a far back seat in the 3rd act until they kill shultz..u forget about jamie during the whole house scene especially the dinner scenes...schultz has a ton of dialogue during the 1st and 3rd acts and is dominant i. majority of the scenes.
I guess that would have made it more clear.
50 years from now, will we be talking about Men in Black and Bad Boys the same way today we talk about Chinatown and One flew over the cuckoos nest?
I just think as great of an actor Will Smith is, the best piece we have that really shows his range as an actor is Pursuit of Happyness. Which I thought was a great movie...as well as 7 pounds...but from what I've seen around the internet a lot of people really dont like those movies as much as some of the other movies I listed in my first post.
FlyGuy
pimp of the year
He was no doubt a mentor, but he ain't really teach him much when it came to shooting. Jamie was a natural..you see the awe in Shultz's eyes when he's making those shots. He dominates as far as dialogue goes but he's always touching base with Django. The D is silent even checks him during the D'Artagnan scene.
Amongst the two Schultz is definitely the boss, but as an audience member I see the movie in a new light with Django being the main guy. Idk man...it's that weed
. King was p*ssyfooting that whole trip to Candyland...Django would've murked everyone on the spot.
