Dr. Dre Rejected Working With Michael Jackson, Prince, Stevie Wonder Outta Fear

surv2syn

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Dre isn't a "beats" type of producer (no pun). So it's not going in and giving someone a Dre beat as much as it is producing a Michael Jackson song. Who wants to be the dude that made a bad song with Michael Jackson or Prince?

Ok so he was afraid to fail according to you. Fair enough. Either you that guy or you not though.
 

Big Boss

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Intimidation happens. It can happen at the highest level.
It happened to LA and Babyface.
MJ flewed them out, gave them a studio, left them for a few days and they came up with nothing.
They eventually shytted out Slave To Them Rhythm which they freely admit isn't any good.

From L.A. Reid's book:
"Intimidated beyond belief, we sat in a couple of Los Angeles studios, trying to come up with something for Michael. But sitting there working for Michael, it was impossible to escape the idea that this was the guy who did Thriller, the biggest-selling album ever. How do you top that? How do you hope to match that kind of magnificence? It towered over us. How do you write a song he will like? At the time, Kenny(Babyface) and I were on a roll, but we couldn’t figure this out.

We were so fascinated by him, so intimidated by his talent and stature—Michael Jackson at the absolute height of his Michael Jackson–ness—that we couldn’t get it right.
We spent three weeks working night and day, so we had plenty of time to get over any initial jitters. The significance of the assignment simply overwhelmed us.

I sat across the other side of the glass and watched in what was almost an out-of-body experience as Michael sang our song, top to bottom, twenty-four times in a row, and each take was better than the last. When he was done, I couldn’t tell track eight from track twenty-four—that’s how perfect his performance was. God was in the room and He looked just like Michael Jackson."


:ohhh:
 

JustCKing

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Riley, DarkChild and Kellz did not have this problem with MJ though. :sas1:

Riley, Darkchild, and R. Kelly didn't have that problem because what they gave Michael Jackson isn't out of their wheel house or comfort zone. Riley gave Michael Jackson New Jack, Darkchild gave MJ typical Darkchild, and the R. Kelly's "You're Not Alone" is basically an R. Kelly song with Michael Jackson vocals.
 

JustCKing

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Ok so he was afraid to fail according to you. Fair enough. Either you that guy or you not though.

To a degree, every human is afraid to fail. If someone gave you a project where you were working with an icon, you'd have some degree of fear of failure. You're lying if you say you wouldn't regardless of how great you are at your craft.

Admitting that you were afraid to fail takes nothing away from one's greatness. In fact, it takes a great deal of humility to admit that.

And put it this way, even Michael Jackson was afraid to fail.
 

African Peasant

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Riley, Darkchild, and R. Kelly didn't have that problem because what they gave Michael Jackson isn't out of their wheel house or comfort zone. Riley gave Michael Jackson New Jack, Darkchild gave MJ typical Darkchild, and the R. Kelly's "You're Not Alone" is basically an R. Kelly song with Michael Jackson vocals.
So Dre is lying? He was actually afraid of not being able to deliver?

We agree then.
 

JustCKing

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So Dre is lying? He was actually afraid of not being able to deliver?

We agree then.

No. We don't agree.

Let's put it this way. If I said The Neptunes had no talent because they submitted some soft beats to Michael Jackson and he REJECTED them because he wanted "Superthug", would you be in agreement? Their music getting rejected by Michael Jackson has absolutely nothing to do with their talent. In the same regard, Dre turning down the opportunity to work with Prince, Stevie, and Michael Jackson because he feared not being able to deliver has nothing to do with his talent. It's producers who wish they were in a position to turn down opportunities like that.
 

bigde09

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Damn man, Dre haters working overtime in this thread. So the guy behind Straight Outta Compton, Chronic, Doggystyle, 2001 and multiple other classics doesn't have any talent now :dahell:

:salute: Dre for being honest, he wants artists that he can mold and give direction, ain't nothing wrong with that.
Dap fishing
 

JustCKing

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Yes, it does. It means he doubted his own ability.

Breh, I guarantee you a lot of producers we hold in high regard "doubted their own ability". Babyface ain't a genius no more because he was afraid to work with Michael Jackson according to you.
 

African Peasant

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Breh, I guarantee you a lot of producers we hold in high regard "doubted their own ability". Babyface ain't a genius no more because he was afraid to work with Michael Jackson according to you.
He still worked with him and it was beautiful.

You're the one who said that Dre refused to work with him because he needed to leave his comfort zone.
 

JustCKing

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He still worked with him and it was beautiful.

You're the one who said that Dre refused to work with him because he needed to leave his comfort zone.

Well, you would have to leave your comfort zone to work with an artist of Michael Jackson's caliber or Stevie, or Prince especially coming from a Hip Hop background. Producing Michael Jackson, or a Prince, or Stevie isn't outside of Babyface's wheel house. If you don't understand that, you're not worth responding to on this particular topic.
 

African Peasant

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Well, you would have to leave your comfort zone to work with an artist of Michael Jackson's caliber or Stevie, or Prince especially coming from a Hip Hop background. Producing Michael Jackson, or a Prince, or Stevie isn't outside of Babyface's wheel house. If you don't understand that, you're not worth responding to on this particular topic.
If you afraid to leave your comfort zone, it questions your ability as an all time great.

The only way to cast away those doubts is to overcome your fear and prove that you can shine beyond your habitual space.

Dre could not do it. So we can legitimately doubt him.
 
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CarltonJunior

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Not comparing myself to dre but as a very minor level producer and engineer I can relate. Established artists have demands and preconceived notions of how to work, with a new artist, all they know is what you've told them or taught them, so it's a lot easier. There's not as much pressure.
 
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