During the 90's did the South have more lyrical/content driven HIT SINGLES than any other region?

letti cook

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I'll give you If I Could Change and I Miss My Homies @letti cook
The others weren't hits.
i know that, just posting for the fact that people overlook that Nolimit would drop these type of songs as LEAD singles and have albums with 3 or 4 joints like that. And those songs actually got played on the radio and video stations down here. 90s southern rap was just on some other shyt. That's why Pimp C died complaining about the lack of social commentary in the new generation. In the 90s they rapped about bullshyt but they would at least back door it with some real shyt here and there.
 

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Nas- One Love/If I Ruled The World/ Nas Is Like/ Street Dreams Remix

Lauryn Hill- Doo Wop (That Thing)

Puff Daddy- I'll Be Missing You

Lost Boyz- Renee

Black Star- Respiration/Definition

Pete Rock And CL Smooth- T.R.O.Y



I'm sure there are more I'm missing

Half of these songs weren't commercial hits and the other half weren't lyrical. Lost Boyz, Black Star & Pete Rock and CL Smooth aren't commerically successful groups nor were any of those songs they had "hits" Read the thread title and the OP.

If you put a song like "i'll be missing you" i might as well had P's "I Miss my Homies" in the OP.
 
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Half of these songs weren't commercial hits and the other half weren't lyrical. Lost Boyz, Black Star & Pete Rock and CL Smooth aren't commerically successful groups nor were any of those songs they had "hits" Read the thread title and the OP.

If you put a song like "i'll be missing you" i might as well had P's "I Miss my Homies" in the OP.


Renee charted to number 33 on the Billboard Hot 100. Cell Therapy Charted at 39

Git Up Git Out Charted at number 58 on the Rap/R&B Charts. T.R.O.Y charted at 58 on the Billboard Hot 100

A Minute To Pray And A Second To Die Charted at 69 on the Hot R&B/Hip Hop singles chart. Definition Charted at 60 on Billboard Hot 100

Elevators Charted at 13 on the Billboard Hot 100. Doo Wop (That Thing) Charted to number ONE on the Billboard Hot 100



:usure:
 

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OP used examples of only 3 different camps and tried to act like the whole region was like that :laugh:

Reading is fundamental...

Thread is about commercially successful groups that had hit songs with a certain consistent theme in content.

These are the majority of the most commercially successfull groups to come out the south thru MOST of the 90's.

Who am i missing? :jbhmm:
 

BmoreGorilla

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Reading is fundamental...

Thread is about commercially successful groups that had hit songs with a certain consistent theme in content.

These are the majority of the most commercially successfull groups to come out the south thru MOST of the 90's.

Who am i missing? :jbhmm:
Your missing no one which makes your whole thread fraudulent. You tried to say the south had deeper music when it clearly didn't . I'm about to body your thread
:pachaha:
 

kingofnyc

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I believe so...

Outside of KRS & Public Enemy in the earlly 90's...there weren't a whole lot of NY rappers pushing SINGLES with lyrical depth and deep, meaningful content...by the mid-90's most NY rappers were releasing singles that were mimicing the street/gangsta content of the West Coast and putting a NY spin on it...as well as pushing party/club type singles that merged R&B and Rap like "One More Chance" "Big Poppa" "All I Need" "Ain't No nikka" "Hypnotize"etc.

The West had alot of artists that were pushing socially concious material as singles...Pac, Cube even Too Short & Spice 1...But at the forefront of the West Coast rap was Death Row type shyt...Gin & Juice, Nuttin But A G Thang, Deep Cover, Murder Was The Case etc.

Meanwhile...practically all of the South's top COMMERCIAL artists would regularly make hit singles out of songs like these.



















Songs layered with lyrical depth and an underlying message...as opposed to taking the easy route to a hit song...via party/club tracks, songs for hoes and sensationalist street content...

Agree? Disagree?


so let me get this shyt straight

u are giving credit to pac, cube, short, spice, geto boyz, face, 8ball..... etc...etc... for having 1 or 2 socially conscience songs

YET

your excluding (the greatest pool) of mc's/rappers ei. biggie, jay, nas, wu, red, mobb.... etc...etc... for having dem same socially conscience 1 or 2 cuts off their album

giphy.gif
 

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Renee charted to number 33 on the Billboard Hot 100. Cell Therapy Charted at 39

Git Up Git Out Charted at number 58 on the Rap/R&B Charts. T.R.O.Y charted at 58 on the Billboard Hot 100

A Minute To Pray And A Second To Die Charted at 69 on the Hot R&B/Hip Hop singles chart. Definition Charted at 60 on Billboard Hot 100

Elevators Charted at 13 on the Billboard Hot 100. Doo Wop (That Thing) Charted to number ONE on the Billboard Hot 100



:usure:

Doo wop aint a rap song :martin:

..and you left out the majority of the songs you named :laugh:

Had no idea Renee and those other songs charted that high...you got me there. :ehh:

None of those songs are nowhere near as memorable or popular from my recollection as the songs in the OP.

But ask yoursellf this...who were the top NY rappers (commercially) at the time those songs dropped? :jbhmm:


Because everybody i named was at the very top or near top of their city/region's rap scene (commercially) and pushing THAT type of content...can you say the same for Lost Boys, CL & Smooth vis a vis the NY rap scene?
 

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so let me get this shyt straight

u are giving credit to pac, cube, short, spice, geto boyz, face, 8ball..... etc...etc... for having 1 or 2 socially conscience songs

YET

your excluding (the greatest pool) of mc's/rappers ei. biggie, jay, nas, wu, red, mobb.... etc...etc... for having dem same socially conscience 1 or 2 cuts off their album

giphy.gif

The rappers in the 1st line made socially concious & lyrically poingnant rap songs as their LEAD SINGLES

And did so consistently...

Huge difference compared to the rappers in the 2nd line.
 

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Your missing no one which makes your whole thread fraudulent. You tried to say the south had deeper music when it clearly didn't . I'm about to body your thread
:pachaha:

So you're saying NY had a signifancantly larger depth of socially concious, lyrically poignant HIT SONGS (<<< Key phrase here) comparable to the tracks in the OP?:jbhmm:


Yet we're like 30+ posts now in this thread and i've only seen two songs posted that POTENTIALLY & MAYBE fit the qualifications and can be compared to some of the bottom tier songs in the OP? Interesting.:jbhmm:
 
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