I like what dude, in the middle, was sayin'; is the music still good? Yes, there is a difference between the culture of Hip-Hop (ghostwriting is wack) and the business of Rap music ($$$).
We empower the Rap music industry by buying records that are generated by the music industry.
So, a lot of the cultural norms get violated all the time (ie bitin', ghostwriting/producting, doin' it for money, not love, etc.)
If Nas had ghostwriters on the untitled album, it was still a great record. But, it comes at the expense of his standing in the culture.

What's funny about this (and shows like it), you get to put faces to some of these stans. Talmbout;
I'd be hurt. It's not that serious, B. It's the music industry and it be like that sometimes.
IMO, I don't think it's totally farfetched to believe Nas was able to replicate the flows of the producer/rapper he was working with. Jay Electronica raps a certain way and makes beats to his way of rappin'. It's not crazy to think Nas felt the Jay El' flow was the best to go over
Queens Get Money.
And I still don't understand this idea that the untitled album was so far left for Nas. As if he's never tackled the same, exact subjects on his previous works. It's not like Lil Wayne released that album.
He's verse on
Hollywood Divorce sounds so far from what I'm used to hearing him rap about--same corny lines--it's different and doesn't mean it was ghostwritten.