What you're saying here is true. However, just because it's true doesn't mean everybody was rockin'
to "Banned From TV" strictly because of the beat. The beat is a banger, but it ain't a better beat than
"Superthug".
Matter fact - it might not even be a top 5 beat on the album.
Bruh - all Swizz' beats are as "commercial" as the dudes you trying to vilify.
Jay jocks everybody's sound when it's hot. That's what he do. That doesn't get you a prize.
Ask Rockwilder and Rick Rock. lol
You can't be serious...there's like a bunch of these...
You sayin' this like the LOX's beats was killin' it during this time. The best beat the LOX got during this era
was from Timbaland, so go back to the drawing board.
You're basically dissing yourself because you asked me to post them. In fact you said "please", so miss me with that. I'm quite sure you didn't even listen to them.
Timbaland and Jay were never in talks for years about doing an album together. It was suggested. It's no different from the Nas/Premo album that has been hinted at for years or any other rapper and producer combo that said they had an album in the works that didn't materialize.
"banned from tv" was clearly the most popular beat in the game when it was out. and it was the most freestyled-over beat for a good 2 year at the very least.
if its not "strictly because of the beat", then I don't know what is.
swizz mostly made street bangers breh.
the other guys are r&b first.
timbaland in particular, barely has any street bangers.
you should be directing this post towards the guy that's arguing in denial about that. why is this post directed towards me?![]()
and how many of them mattered?
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lol @ timbaland.
yall talking about that "ryde or die chick" song?
I understand that you two guys are r&b-first but dammit man.![]()
Nah.
For one, "Banned From TV" got more props for the rhymes than the beat. The beat
was good enough, and it didn't overshadow the rhymers.
Also, that was around the same time "Deja Vu", "Put Your Hands Where My Eyes Can See",
"The Actual", "Full Cooperation" and "Clock Strikes" (by Tim) was the beats to spit off of.
"Banned From TV" wasn't get more burn in the ciphers than them.
Because you said "Jay was jockin' the Ruff Ryder sound" like that was a feather in Swizz' cap
on this topic. That doesn't work because Jay was jockin' everybodies' sound who was poppin'.
His productions are just beats and not much musicality behind them.
If you put him up against The Neptunes, Timbaland, Dr. Dre and Kanye and one has to go. He'd be ousted by a landslide. He's not garbage but he's not very good plus his hits been on the strength of the performers not his production savvy.
I'm coming from a street perspective.
I'm not talking about cyphers that you see on TV or none of that chit. I'm talking about beats that dudes was spittin over on the mixtapes & in the streets. "banned from tv" was the one.
some of those beats weren't even that popular.
I never said it was a feather in swizz' cap.
youre just trying to get a 1-up by starting a vague argument over some chit that i didn't even say. and you tend to start these ticky-tack arguments with me whenever we cross paths.![]()
"banned from tv" was clearly the most popular beat in the game when it was out. and it was the most freestyled-over beat for a good 2 year at the very least.
if its not "strictly because of the beat", then I don't know what is.
swizz mostly made street bangers breh.
the other guys are r&b first.
timbaland in particular, barely has any street bangers.
you should be directing this post towards the guy that's arguing in denial about that. why is this post directed towards me?
and youre not telling me anything I don't already know breh.
and how many of them mattered?
lol @ timbaland.
yall talking about that "ryde or die chick" song?
I understand that you two guys are r&b-first but dammit man.
nah. I appreciate your effort. but those beats aren't bangers breh. and yes, I did click on the songs that I don't recall hearing beforehand.
I recall reading otherwise about the jay/timbo album.
Again - you gotta be on some kinda drugs to act say "Put Your Hands Where My Eyes Can See",
"Deja Vu (Uptown Baby", "Clock Strikes", "The Actual", and "Full Cooperation" beats weren't even that popular.
I know you didn't say that, and I didn't say you said that.
I said what you said was "like" that - a "feather in ones' cap" is a figure of speech.
No...what I "tend" to do is tell you when you say something that's incorrect when we "cross paths".
Especially since you like to pass yourself as some sort of pseudo hip-hop historian.
Maybe you just tend to say incorrect things a lot.![]()
More than half of the songs niccas pointed out to negate ya hatred is considered classics , and what does discussing Swizz in 2016 have to do with anything I'm referring to his reception in his prime , how ome throughout the whole time he was active all the hateful remarks I see about his production on the internet we're never spewed in real life , how come everytime I do a 90s set when I'm DJing and throw on a Swizzy track the crowd loses its mind ?Pick out select songs to make a point brehs...
Did I or did I not say half? A few classic songs are in here and a bunch are random songs off of albums nikkas like. I know the internet is obsessed with calling anything classic though. Don't prove my point for me.
You said he should be well revered. Do you know what that word means? Nothing I said was irrational or hateful, I said what most people in here said and that is that he has some OK and great beats but alot of his work is shyt and mediocre.
Half of an album being good and the rest being shyt does not make the album great or worthy of saying it should be a highly praised album. The same applies to Swizz as an overall producer.
And again I don't know anyone besides forums who talk about Swizz beats in 2016 so this is purely an internet nikka discussion in of itself. And even then I hardly see anyone make a post or thread about Swizz beats.
Some of you dudes have this weird habit of coming up with some off the wall argument in your head and then come on the coli to argue it against the internet as if the web is against you and you know the truth when in reality you saw like 2 people say something and then you project your anger on everyone else and make up things.
if you knew anything about producing, you wouldn't ask this question because you'd know that it doesn't get more basic than a early 00 swizz beat. swizz is a third rate producer who got lucky as a teenager and therefore never needed to hone his skills. he got better at what he does, but he's still lacklustre. the only reason he even has a career is because dame grease refused to sign a fukked up contract as a ruff ryders inhouse producer. as a result, dee and waah pushed swizz who was 16 or 18 at the time and played three finger melodies with preset sounds of his triton. dame grease had produced most of the hugely successful first dmx album and when people called and asked who did the beats, dee and waah told them it was swizz. if it wasn't for the hype of dmx, nobody would have looked at swizz twice back then.Till this day shyt still baffles me , prior to browsing on forums I would have thought Swizz would have well revered on here only to see the opposite , dude blessed us with a plethora of street classics and I DJ occasionally and every time I throw on a throwback swizz beat from the late 90s / early 00s I always receive the
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reaction ... So please explain to me why forums perception of Swizz beats is like stepping into the twilight zone
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Dog I know alot about producing which is why Swizz is no where near my Top 10 , but I'm not going to deny that his shyt banged back in the day just because son ain't technically musically inclined like thatif you knew anything about producing, you wouldn't ask this question because you'd know that it doesn't get more basic than a early 00 swizz beat. swizz is a third rate producer who got lucky as a teenager and therefore never needed to hone his skills. he got better at what he does, but he's still lacklustre. the only reason he even has a career is because dame grease refused to sign a fukked up contract as a ruff ryders inhouse producer. as a result, dee and waah pushed swizz who was 16 or 18 at the time and played three finger melodies with preset sounds of his triton. dame grease had produced most of the hugely successful first dmx album and when people called and asked who did the beats, dee and waah told them it was swizz. if it wasn't for the hype of dmx, nobody would have looked at swizz twice back then.
if you know a lot about producing, i really don't understand your question. his shyt didn't bang at all back in the day. as a producer, he was at a stage where he didn't even know what he was doing back then, so he landed a lucky banger here and there, but most of his shyt was pureDog I know alot about producing which is why Swizz is no where near my Top 10 , but I'm not going to deny that his shyt banged back in the day just because son ain't technically musically inclined like that
Once again peep the interview I posted , it's totally refutes everything your saying , according to the interviewer at that moment he was commended by fans and peers .. so why is someone who's obviously out there perception totally different from yoursif you know a lot about producing, i really don't understand your question. his shyt didn't bang at all back in the day. as a producer, he was at a stage where he didn't even know what he was doing back then, so he landed a lucky banger here and there, but most of his shyt was purehe's probably the only case in the history of rap music where the artist carried the producer and not the other way around.