TheDarceKnight
Veteran
Yo at the time when Just did the beat for Touch the Sky, no one was able to figure out how he slowed the sample down without fukking with the pitch...I always liked Just Blaze production a little bit more that Ye's during that period. His drums were just harder and overall better. His scratching on Just Blaze, Bleek, and Free was godly. Listen to those damn drums.
He could do so many styles flawlessly. He's helmed the production on the majority of at least 2 personal classic albums IMO (Freeway-Philadelphia Freeway, Saigon-The Greatest Story Never Told)
The way he blended in Enemies and Friends right after one another on TGSNT was cinematic.
Just Blaze could score a movie easily.
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It's a pretty straightforward flip of the sample, but I always thought that was a great example of some simple shyt done very well.
I also liked how Just Blaze would use his own voice in the samples (it's him saying Breathe in the Fabolous joint, and it's his voice on these other beats too.) The way Welcome to NY City has no samples in it?
