Lil Duval perfectly sums up "Life Is Good"

Jone2three45

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Although LIG felt like it was not complete, still it was a breathe of fresh air from usual typical music that's out here now. I respects Lil Duval comment and feel the same way.
 

Still Benefited

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This nikka also said "Nas ain't made a album as good since It Wuz Written"....and "LIG is better than any album Jayz put out since blueprint":what: fuk outta here lil duval:laff: u been manipulated to not listening to any of jays albums since bp or any nas albums since it wuz written if u believe that horseshyt
 

Big Mel

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Life Is Good is better than any Jay album since Blueprint for sure. It's also better than Blueprint.


American Gangster is better than Blueprint to me though.


but average Jay albums > average Nas albums by far.
 

Art Barr

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cosign,.....

fukk, guerilla ross as well....

dude is a big impressionist like a wack guerills black.

with loud offkey supernatural wack biggie impressionist style rhymes.
with no actual real dope game content whatsoever on the weight level.

besides the standard content you could lift from all trap music.

if you listened and bit your content from other rap records.


neither one of them phoney ass sellouts are engaging like that.



art barr
 

daman729

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you knows what funny. I can look at this nikka and tell hes one of those sames dudes who talks shyt about what real hiphop is, then he'll be the one bumping waka flacka louder than anybody
 

Big Mel

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Blueprint is boring to me. snoozy flows, some melancholy attempts at 'vulnerable Hov', some dated sounding Kanye beats....

the Bink shyt is/was the best and lyrical exercise goes hard. girls, girls, girls & u don't know still sound good.

renegade sounds like typical eminem wackness to me now beat wise.


that & stillmatic are way overrated in my book. AG is a really great album from start to finish.



but yeah, go head & pretend 'hola hovito' & 'that nikka jigga' are classic songs.
 

Art Barr

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This nikka also said "Nas ain't made a album as good since It Wuz Written"....and "LIG is better than any album Jayz put out since blueprint":what: fuk outta here lil duval:laff: u been manipulated to not listening to any of jays albums since bp or any nas albums since it wuz written if u believe that horseshyt


that is true,..though.

which is a cosign to lig being nas softening up even more and losing his edge more and more as he sells out.

nas albums after illmatic are disco level wackness.

like aretha franklin trying to make donna summers style disco.

shyt is so far out of the element of what he is culturally or historically.

you just turn it off after the first spin.

basically nas's career after illmatic is let's try to save it by putting out a great advance. with the only good records, on the whole project.

then put out the other just good enough throw away trash where we made a bunch of sellout records.

that if they were on the advance. we would have no anticipation and we would ruin his overall quality career wise. worse than we have by having him go from making cultural music. to wack sellout pop style records,..nas is not at all versed in to make.

nas selling out is like a roots reggae act trying to make shaggy style dancehall pop trash.

it does not work and will never work. as nas is not that type of artist at all.

as a matter of fact rap is cultural music.

which should never be subject to being created in a pop template or sentiment purposefully as an overall direction.


art barr
 

Art Barr

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imo,...jay ain't been dope album wise since iml iii.

nor emcee skill wise since the intro to roc la.

all his records after that have been bite'n shyt.

that was a studied slow flow stretch from what he was as a core artist.

which was a half way focus for some money disciple of jaz-o, and tag partner of sauce money.

as he was a skills morph....that once not around ssuce or jaz to piggy bounce or flow after direction and technical skill wise.

he was never able to actually slow flow in pocket or with convincability without piggy backing off of:

sauce
jaz
big l
biggie
at times geuchi suede
early nas post 94,..when weak rappers all bit nas from fatjoe to others.


once not around those class of emcees.

jay slipped back into the offkey oversyllabled weak non convincing vocal tone of his early incarnations. which was the fast rapping, sing songy breakout into song scattergories schzio flows of the early 90's.

which is why now,..he has never been potent as he was originally.

which is why as time has gone on. the real legends who had real skills.

never lost them and still continue to excel skill wise as they get older.

whereas in jay's case his skillset gets weaker and weaker over time.

as he really was never a great emcee of skill distinction.

without being around grester talent to morph into or piggy back off of.
only people giving jay props are biters and dikk riders.
or people he used to bite after losing his core group of sauce and jaz.
who feel a certain way other than contempt.

as they feel he put them on,..plus to weak to be a man or studied emcee and diss a nikka, like jay for talent raiding them.

art barr
 

Art Barr

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you knows what funny. I can look at this nikka and tell hes one of those sames dudes who talks shyt about what real hiphop is, then he'll be the one bumping waka flacka louder than anybody


if you are secure as a bboy.

you could listen to wacka wocka wocka flame as a guilty pleasure in select spots.

if you securely know where waka flocka flame is not culturally.

you could bang wacka,...just like the dirty house mix on the weekend.

when they play:

bang bang bang skeet skeet skeet
beat that bytch with a bat

plus know culturally an artist like him adds nuffin but sheer disposable bootymusic entertainment with wack offkey lyrics.

i liken wacka wocka wocka wocka flame to listening to la the boom man.

just a guilty pleasure on a feature with chucky, and nuffin else.

like i like girls go crazy by him and roscoe dash.

yet i know wacka wocka wocka flame has no other skill.

like roscoe dash who possibly made a commercial sellout shift.

like mase did from coc to badboy.

evident in his dismantling of odd future.

in a higher quality horrorcore context battlewise. which felt more originally like roscoe's orginal incarnation.

that was amalgamated to sellout as the pop version of roscoe dash that is now on the radio, and dominates the pop charts and playlists.

i know wacka wocka wocka flame has no other gear, like that as a rapper.

wacka wocka wocka flame is no emcee.

plus is a talentless, revenue grab non cultural associated sellout artist.

so if you know what he is,..you should have no issue if it came on.

if you are secure culturally as a bboy.


art barr
 

Art Barr

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nas, after illmatic is what if.

jr reid with black uhuru was not on the grammy nominated accesible album, brutal.

instead it, featured shaggy or sellout maxy priest amd wayne wonder types as the frontman.

then stayed making commercial music like shaggy types with disrespectful slap in the face roots undertones.

it does not work and it never will.

which is why nas only has a few records here and there that stick.

whereas an artist who is a sellout revenue grab pop guy like jay.

gets a pass to make pop style trendy records.

as culturally nothing was expected of jay in the first place as an artist.

so when jay panders to the culture as a sentiment it has a heavier effect.

as it creates the illusion of a reenue grsb artist who cares or has duality.

when in reality that is just a revenue grab marketing ploy like the native wackness sellout hook lift deuce deuces was on rd.


art barr
 

up in here

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:dead: @ art barr

lmao. this dude art had 4 back to back big ass comments he just felt compelled to write. this dude is like chris rock in new jack city, he wake up crying and shyt cause he cant stop himself from loggin on and writing essays about nas.

[ame=http://youtu.be/UE2tPyGJStQ]Chris Rock Dope Fiend - YouTube[/ame]
 
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