but he's not talking about it. he's glorifying it, celebrating the wanton killing taking place in his neighborhood, where young black men like himself are losing their lives before they even begin. instead of talking about what he sees, he is cheering what he sees.
as a consequence, young black men -- chicago and elsewhere -- become conditioned to thinking this behavior keef revels in is acceptable on their streets. that's where a clear correlation between the music and the real life outcome of its dissemination can be drawn.
i won't deny the nikka has made some catchy music, but it's poisonous.
dawg,....
when earl was out.
do you know why it was not a rampant history of killing earl types.
let alone when earl was selling a lot larger array of records, and generating more publishing than chief keef.
it is because the neighborhoods where earl is played.
were nurtured and single-handidly, and purposefully cared for.
so, as to be kept out of severe poverty conditioning.
if this country and public stock holders were not trying to publically and purposefully.
see a return on its highest cashcrop item.
known as the black males in the penal systen of a a penal colony.
acting as the more profitbale version of flesh peddling known as slavery.
we would not have these conditions. chief keef would be classified as distinctly horrorcore.
made, specifically to profit off of and for a horrorcore audience. instead since we have a country purposefully making and living off of being a penal colony. the media it controls deflects blame erroneously onto an artist. while, letting a country hiding its hands, of its complete wrong doing and capitalistically evil scope to make a profit.
so kill all that,.....place blame shyt.
the government made it like this,..not the black people living in the condition.
art barr