The trailer was enough.Lawd, this was such an incoherent mess.
Didn’t even feel like a movie to me. More like a hodgepodge of some interesting concepts that needed way more time in the oven. Some of the shots at night popped out visually, but then you’d also have some shots of the city that’d look like AI-generated concept art.The trailer was enough.
I feel like Nathalie Emmanuel will eventually be someone where people, be it on the podcasts or any random convo, will ask “Whatever happened to that one actress?” “Whoa damn, yeah…we haven’t seen her since Game of Thrones ended really.”
Then they spot Megalopolis and an empty void afterwards in her filmography and let out an:
“…Oh.”
Didn’t even feel like a movie to me. More like a hodgepodge of some interesting concepts that needed way more time in the oven. Some of the shots at night popped out visually, but then you’d also have some shots of the city that’d look like AI-generated concept art.
Aubrey Plaza as Auntie tho really gave me something, I thought. Shia as well, to a certain extent. Everybody else felt wooden to me.
I feel like Nathalie Emmanuel will eventually be someone where people, be it on the podcasts or any random convo, will ask “Whatever happened to that one actress?” “Whoa damn, yeah…we haven’t seen her since Game of Thrones ended really.”
Then they spot Megalopolis and an empty void afterwards in her filmography and let out an:
“…Oh.”
It came across like Nathalie’s sole purpose of even being in the film was to just look good, because she doesn’t do much else. If she doesn’t get any more big work after this, I wouldn’t be all that shocked.damn!
i don't know anything about her other than she's fine as hell and was on Game of Thrones which i've never watched
so you telling me, she just ain't did nothing else since then that's been memorable?
It came across like Nathalie’s sole purpose of even being in the film was to just look good, because she doesn’t do much else. If she doesn’t get any more big work after this, I wouldn’t be all that shocked.
The script is cheeks, but Aubrey and Shia at the very least managed to make something out of what they had. Those two seemed to embraced how silly this shyt really was, and it kinda worked for me. Even an 85-year-old Jon Voight did a little something. That being said, I still couldn’t wait for this shyt to be over.
Francis dedicated this film to his late wife Eleanor and my audience could not stop chuckling at the bit because what the fukk. He’s about to be haunted for the rest of his life if he hasn’t already been.