TheDarceKnight
Veteran
Hell on Earth has some shyt from a production standpoint that's just so crazy. Like, the craziest flips people have heard from Dilla, RZA, Preemo, guys like that...Hav was doing that shyt on Infamous and Hell on Earth. Extreme pitch shifting, bending notes in extreme ways, manipulating simple and short chops to make totally different grooves, taking some of the happiest and upbeat ass samples in the world and twisting them into nightmare fever dream soundscapes...So much of it sounds like it's almost broken, for lack of a better word. There are still beats from that album today where crate diggers and sample nerds haven't identified the samples yet. Also, the album's production breaks so many rules of music theory, and so much shyt on there SHOULDN'T sound good, but yet it does. Crazy stuff.The PRODUCTION was some of their best and darkest on that album, that album is FIRE........ Hav did his thing on that one and it was another Mobb Classic. Drop A Gem and Hell On Earth are two of Havs best beats IMO.
What was Hav smoking? He really grew into his own as a producer on that album, and P's rhyme style elevated and he came up with totally new flows and pockets than he'd ever used before.
If there's anything to criticize on the production, it's definitely that it is all very similar. But that's where they were. The most tragedies and dark times of P and Hav's personal lives were happening during the making of that album, and the production perfectly represents that.
I always felt like there could be a college course on the production of that album. It's not quite like any production on any other rap album, ever.

let's go.

Hav is an alien brehs...