New York State of Mind Part 3 gotta be CRAZY great for Nas to approve. He’s said he only does sequel songs if he feels that it outperforms the original and Part 2 is genuinely one of his greatest lyrical displays ever.
New York State of Mind Part 3 gotta be CRAZY great for Nas to approve. He’s said he only does sequel songs if he feels that it outperforms the original and Part 2 is genuinely one of his greatest lyrical displays ever.

I obviously have no clue the actual answer, but I do know from being friends with producers like 9th Wonder, Evidence, and Khrysis, that a lot of these dudes get into ruts and just want to change things up, for better or worse. I think creative people have a constant need to change little things, or try new hardware, or add things, or take things away, etc. Most of them get bored doing the exact same things. Khrysis in particular has had a million style changes. Evidence has had a lot too. 9th hasn't had a ton, but he's still had some, like switching from Fruity Loops to the Maschine, to the MPC, and went from starting with the sample to now mostly starting with the drums.I'm curious to why did he do that ? He must know that his beats don't hit the same. No one dares to tell him that ?
I was watching this video last night and the shyt Preme used to do is so fukking wild. I never knew the extent of the chopping he was doing but Preme was doing next level shyt
It's made me realize that very few producers anymore re-chop samples to where they make a whole new melody out of it. I kinda miss that shyt. Alchemist has some intricate chops like this in recent years (Bad Choices this year with 2Chainz and Larry was a crazy good one where he made a whole new melody out of the sample) and 9th Wonder still does this style all the time. But man...Premier really was the GOAT at this style. I feel like most of the popular sample based producers now do more digging for loops, and if they do chopping it's usually in service of making the loop sound smoother or cleaner, and less "choppy."Some beats that are gonna end up on the Roc & Ransom albums may have been ones he worked on for the Nas album that didn't make the cut.I don’t think you can compare the Premo projects with Roc & Ransom with this.
Them projects were probably recorded over a few months while the Nas album definitely been cooking over the last 2 years, taking much more time with it. (Nas alluded to it in a interview promoting KD 1 or KD 2)
My expectations are realistic though, I’m not expecting a classic by any means but confident enough that’ll they will drop something worthy.
I don’t think you can compare the Premo projects with Roc & Ransom with this.
Them projects were probably recorded over a few months while the Nas album definitely been cooking over the last 2 years, taking much more time with it. (Nas alluded to it in a interview promoting KD 1 or KD 2)
My expectations are realistic though, I’m not expecting a classic by any means but confident enough that’ll they will drop something worthy.
Originally it was called NY state of Mind.the real title is Streets of New York not Part 3
I dont think people truly understand Nas' gift.
Nas would make that new Ransom/Preme track a classic record if it were his vocals. Ransom added nothing to it. Same robotic cadence and says nothing of interest. Plus, Ran has a semi annoying voice with no flavor or style woven into the lyricism.
Dudes doubt Premo in part because the dude's that are rhyming over his tracks don't bring much to compliment the beats. Cut and paste Nas' verse from the new Big L track onto the Ransom/Preme track and it would make that Preme beat sound incredibly ill.
I can respect a good loop, but when producers can expertly chop up a sample and making a brand new melody, that's when my interest is piqued. Navy Blue does(or used to)a lot of chopping in his beats as does MIKE. Though I like some Nicholas Craven beats, sometimes straight looping can only take a beat so far.This video isIt's made me realize that very few producers anymore re-chop samples to where they make a whole new melody out of it. I kinda miss that shyt. Alchemist has some intricate chops like this in recent years (Bad Choices this year with 2Chainz and Larry was a crazy good one where he made a whole new melody out of the sample) and 9th Wonder still does this style all the time. But man...Premier really was the GOAT at this style. I feel like most of the popular sample based producers now do more digging for loops, and if they do chopping it's usually in service of making the loop sound smoother or cleaner, and less "choppy."
But I actually love when there's a lot of obvious choppiness to the sample. It can add a whole lot of bounce and make a new groove. Havoc used to chop a lot and people pointed out that the new Mobb album doesn't have as much of this overt chopping on Havoc's production there either. It seems more grounded in loops or subtle chops.