If you an extrovert, then you good. If you an introvert, you gonna be in some kind of difficulty because these social ass people are real judgmental on "different" people that aren't as outgoing as them.
Most artists are introverts or socially awkward. They come together in a scene because they share similar interests.
The best method is to get a friend that is an extrovert, make him a manager - I was just reading how ASAP Rocky blew up because of Yams, who had a popular blog- he's a die hard hiphop fan/hipster. He met Rocky and Rocky could tell dude had an eye for fresh things and things that were
going to be popular. He had yams help him find that sweet spot. Yams had him incorporate popular themes from all regions, from being egotistical (lil b), to purp and lean (south), to urban high fashion ( Ny underground). Yams helped him beat the gun, combine all the (what was then just hipster shyt) things that were
going to be popular and pushed him.
Yams just started off as a fan, and Rocky being charismatic told him he wanted him to be his 'director'. Yams isn't charismatic, he's not creative, but he has a great eye for creativity, and is
very social,
great at networking (something Rocky wasn't good at, at the time) and loves art with the passion, he's the dude that is every where, at every event, knows everyone (Rocky preferred to stay on the block). Yams is the kinda person
you want behind you. Artists tend to look unto other artists for that, and that just never works. Giving art to other artists will just end up in critique, rather than a supporter, you gotta remember with 2 creative minds, they'll either see competition, steal, envy or hate. Even if they are a fan of your work, why would they push you when they're trying to push their own work? and both are introverts?
There's a reason artists need labels/companies, they provide a marketing team.
But this is a new era. We have the internet, and most people are chasing that lucky lotto. or can afford a marketing team (I suspect rich ass Macklemore did this, gotta be) The best and more assuring thing to do is grind, start from bottom and build. Basically find an extrovert person or team/fan/fans/mouthpiece willing to back your creative brain, 1 that can network for you. In order to find those people, you have to either go outside or bombard the net with loads of material in underground (insert art) oriented sites. They will come to you. They are the people that are hardcore fans of (insert art) and don't mind listening to unknown people, they live and breath it, they're the backbone of the community, they're hipsters, always looking for the new, the fresh, they have tumblrs and pride themselves on being forward thinkers, they envy artists (because they don't have the skill to be one), they're not hard to spot. Find a person or 2 that see your vision, are a fan of your work, and would love to be on your team, if they commented/contacted you, you know off top they're fans and extroverts, see how easy that was
A lot of times artists are too busy looking for a big break, when the 10 people that listened to their tracks or love their art could be the people to help them grow. Make those 10 turn into 100 by using the 10! Artists tend to not say thank you and are overlooking these extroverts for someone that's already in the scene wtf. Those 10 fans are more reliable than a cosign from C level artist who's technically your competitor!
Keef was only big on his block, then the set, then the gang, and those people shared his art to the next neighboring hood, who then showed their classmates, who then showed their cousins out of state. The buzz
made everyone pay attention. When you buzz, artists will come, then labels/companies will come. That's how your buzz will grow, by cherishing, talking, and charming your tiny hipster fanbase whether it be your block or the 4 people subscribed to you. The mistake many people make is they get 3 comments on their page and never look into the people that commented, never talk to them, never say thank you, never ask for their email/aim, they just ignore them and keep their eyes open on the views or if someone known hits them. They want it easy, looking for industry acceptance instead of appreciating their tiny fanbase who would ride with them, create a buzz and make the industry come to the you!
You gotta build strong roots to have a healthy tree. You hear how Lil B blew up his based world? It wasnt overnight. Dude used to post 2 tracks a day and bombard his music on myspace. He had like 10 fans. He hit up those 10 fans and would shout them out, make a chat room, laugh it up with them. He was literally just making music for those 10, then 10 turned into 100. How do you think he got a cult following who had already known he was trolling 2 years before everyone else did? He was in tune with his core fans. Even til today you sometimes see Lil B on WSHH commenting on his video, replying to as many people as he can, saying thank you. Happy fans will rock with you heavy. Look at B no matter how many people called him wack, they pledged to him. 5 years later, you got TaskForce bytch mob, and other artists knocking on his door to get a feature and get some buzz dust off him. You hear how Odd Future was formed? Just a bunch of kids who met off myspace . a bunch of no namers who had no more than 100 views each found each other and linked up, they were introduced to each other either by meeting at Syds house (everyone knew she had a studio so she was recommended by one of her extrovert friends) or their
extrovert friends talking amongst each other and showed their artists the pages of the other artists. OF's hipster fans combined from all parties like Mike G, Hodgey, came to make one big core fanbase. Tyler is charismatic and outgoing so he kept the combined fans happy by doing the interacting, creating the group name, consistently uploading shyt, always being on fairfax skating and summoning the group for projects - this kept all the fans happy. those hipsters then showed other hipsters, (hipster logic: if all these hipsters think its cool it must be really cool mentality), the masses eventually caught on.
As for myself, my problem, is I'm a perfectionist, I let my folks down all the time, people will hit me up like "you got any new designs? music? this is great. Im like nope.

6 months later they forgot about me lol. I can lock myself in a room for 48 hrs create one track and 1 design, and then hate it a month later. How the hell can I accumulate material when I keep scrapping shyt? Im the other style of artist.....the lazy one.
There's a lot of us out there. I was just listening to this chicago girl group called Pretty N Pink. These broads are fukking legit

I mean they have some serious shyt, they could be bigger than Sasha Go Hard, but these broads aint got one mixtape, I emailed one of them, told them their work was great when was the mixtape, I got no reply. It just reminded me of me.
I remember emailing Lil B 3 years ago about an instrumental he used and got a reply.

See the difference in artists? If you ain't on yet, there is no reason for you to be shunning your core fans. It's something I learned a cpl months ago. and now I share this golden knowledge with you all.
