‘Pluribus’ - New Psychological Sci-Fi Series from Vince Gilligan (Starring Rhea Seehorn) | Apple TV+ (11/7)

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DEADLINE: Yeah, I wish I could do that. Could you expand on or describe what’s going on in her head at that moment? Is it a bargaining chip? Is it a threat? Is it a sign of despair? Is it all of these things or none of these things?

SEEHORN: I’m not trying to be evasive, I actually think you nailed it. It is all of these things and none of these things. I went and asked Vince, like, ‘Do you know exactly what her plan is with it?’ And he said, ‘No.’ And I think he was being honest; I know they’re in the writers’ room now writing Season 2.

Normally, I do supply my own reason, just so that my acting will have specificity to it. This was one of the rare cases where I thought: It is an impulsive, highly reactionary, highly angry, highly hurt decision. ‘I’m going to ask for the largest, most destructive, horrible thing I could, and I’ll figure out the rest later.’ I think it’s even more rash that she doesn’t have a plan. That’s my opinion.
 

Wargames

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:trash: That cac Vince Gilligan made Breaking Bad and started feeling himself









Everything he put out ever since been complete :trash:






@YaThreadFloppedB!
Saul gets good once Chuck became an antagonist and became great once they introduced Lalo. The first season was pretty bad, but it got better.
 

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Saul gets good once Chuck became an antagonist and became great once they introduced Lalo. The first season was pretty bad, but it got better.
:camby: Nikka nah. Fukk that cac.







:wow: I thank God everyday that we never got a Sopranos sequel or spinoff, never want to see my nikka David Chase go out like that.
 

Wargames

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:camby: Nikka nah. Fukk that cac.







:wow: I thank God everyday that we never got a Sopranos sequel or spinoff, never want to see my nikka David Chase go out like that.
BCS is legit good, but breaking bad is a classic

Severance might be the best show on tv but they are walking a tightrope to avoid becoming twin peaks weird
 

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DEADLINE: Yeah, I wish I could do that. Could you expand on or describe what’s going on in her head at that moment? Is it a bargaining chip? Is it a threat? Is it a sign of despair? Is it all of these things or none of these things?

SEEHORN: I’m not trying to be evasive, I actually think you nailed it. It is all of these things and none of these things. I went and asked Vince, like, ‘Do you know exactly what her plan is with it?’ And he said, ‘No.’ And I think he was being honest; I know they’re in the writers’ room now writing Season 2.

Normally, I do supply my own reason, just so that my acting will have specificity to it. This was one of the rare cases where I thought: It is an impulsive, highly reactionary, highly angry, highly hurt decision. ‘I’m going to ask for the largest, most destructive, horrible thing I could, and I’ll figure out the rest later.’ I think it’s even more rash that she doesn’t have a plan. That’s my opinion.
Makes sense. Of course Vince has to think how to stretch what could be a movie or mini series into 4 seasons. This is his first dip into sci-fi and that's why people are annoyed. There is usually a payoff.

I thought Severance was slow, but at least the plot progressed.
 
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