Raekwon "The majority of people that come out for us is the white folks"

KOohbt

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So you gonna sit there and say WU didnt make good music? :mjpls:

Im saying whites see the VALUE in our art more than we do...

We dont support our own

We debase ourselves and wonder why guys like STEVE RIFKIND make money off the wu and why thier audience is mostly white

Cause like the god OC says

"Non conceptual non intellectual everything is crime related or sexual"

:manny: we our worst enemy breh
c00n
 

Maschine_Man

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That's ABSOLUTELY what i'm saying. They're music has always been straight up :trash: to me.



Not even possible...

and what you're really doing is trying to put your personal music preference on a plateau...and just cus certain folk don't share your particular taste...they must be stupid :usure:

And don't pretend like Public Enemy's & Rakim's core fanbase in their prime weren't practically all black folks and weren't the fanbase that actually put em on the map...you want to give credit to cacs for being "real hip-hop" fans that put more value in black music just cus they showed up 20-30 years late? :heh:

can say the same with wu-tang...i've seen videos of them in NY in the 90's with all-black audiences...those are the REAL fans....these creatures at their shows today are just cac hipsters being cac hipsters.
actually even from the beginning the majority of PE fans and other hiphop groups were white.

Chuck D even confirmed that himself....back in like 1990
 

Homeboy Runny-Ray

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just saw Cam in Philly with G-Herbo (was supposed to be Smoke DZA smh) and the crowd had to be 70/30 white

everyone got along tho, i was a little nervous with all the shyt poppin off but it was the Smokers Club so everyone was blazed and had a good time. Shiest Bubz is cool :heh:



Camron is :old: breh. a prime dipset crowd was completely different.

cam is a big '90s/early '00s legacy act. the crowd is expected to be whiter in 2016.

whats funny is the '70s & '80s legacy shows draw blacker crowds.
 

NY's #1 Draft Pick

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Raekwon not lyin. This white chick I know that's obsessed with him and GFK was on stage out here in Orlando and she did his whole verse with his mic:wow:
 

ridedolo

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The WU had a cryptic style that wasnt radio friendly

85% of the black population are institutionalized by the church and corporate america

And are drawn to sensational shallow images and subjects

WU lyrics were not for the simple minded

Blacks might get the beat...but cant comprehend the m Message

"The dumb are mostly intrigued by the drums"
-Masta Killa


85% of our kind is def dumb and blind- elijah muhammad

The fukk? Y'all give cacs way too much credit. Stop putting them on a pedestal b
 

KENNY DA COOKER

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The fukk? Y'all give cacs way too much credit. Stop putting them on a pedestal b

How in the hell u gonna have a pic of Farrakhan and Ali in your profile and have a problem with a quote by the Hon. Elijah Muhammad?
:dahell:
Da fukk
 

ridedolo

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How in the hell u gonna have a pic of Farrakhan and Ali in your profile and have a problem with a quote by Elijah Muhammad?

Da fukk

i didnt mean to bold just that

your whole statement is on some c00n white supremacist shyt. im black and my oldest brother listened to nothing but wu growing up. despite the fact that according to you blacks "cant" comprehend the message.

and its weird seeing a so called black person call other blacks jiggaboos and baboons and shyt. "simple minded"?:patrice:....wu only appealed to whites because they're from the whitest borough in nyc and whites are thoroughly entertained seeing blacks act in stereotypical, dysfunctional ways. (see minstrel shows) you dont think they got a kick out of seeing odb on a fukking foodstamp card?

how many cacs were in wu tangs early videos? if they comprehend so much of wu's music, why are their junkie cac fans from staten island as racist as country fans?
 

ridedolo

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Rae shouldnt be surprised that they have a mostly cac fan base. they pushed negative stereotypes and history shows us that theres nothing d'evils love more than black ignorance...

The minstrel show, or minstrelsy, was an American form of entertainment developed in the 19th century. It was a form of entertainment that required payment to attend. Each show consisted of comic skits, variety acts, dancing, and music, performed by white people in make-up orblackface for the purpose of playing the role of black people.

Minstrel shows lampooned black people as dim-witted,[1] lazy,[1] buffoonish,[1][2] superstitious, happy-go-lucky,[1] and musical. The minstrel show began with brief burlesques and comic entr'actes in the early 1830s and emerged as a full-fledged form in the next decade. By 1848, blackface minstrel shows were the national artform, translating formal art such as opera into popular terms for a general audience.[3]

Minstrel show - Wikipedia, the free encyclopedia
 
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