Breh, the opening post was an example

And you keep harping on the fact he doesn’t have a production credit on that song, when I’ve already pointed out he has a writing credit, which is worse. Considering this is the man who had to outsource the lyrics to a Rest In Peace song to his friend, and is famous for not writing. The whole flow and everything was obviously Pharrell. What did Bluffy do, change a word or two
Aslo, are you a fan of hip hop? Do you not know this shyt has been said before by people in the industry? People he’s worked with? nikka are you signed to bad boy or something?
From Pete Rock on how Bluffy stole Juicy
The question over who actually produced “Juicy” started in a 2004 Wax Poeticsinterview with legendary producer Pete Rock. In addition to saying that Q-Tip took the beat for A Tribe Called Quest’s “
"); background-size: 1px 1px; background-position: 0px calc(1em + 1px); background-repeat: repeat no-repeat;">Jazz” without giving him proper credit, Pete said that Puffy more or less stole the “Juicy” beat from him. “I did the original version, didn’t get credit for it,” he
"); background-size: 1px 1px; background-position: 0px calc(1em + 1px); background-repeat: repeat no-repeat;">explained. “He heard that shyt and the next thing you know it comes out. They had me do a remix, but I tell people, and I will fight it to the end, that I did the original version of that.”
Despite Pete’s version of the backstory, the liner notes of Ready to Die list Poke of The Trackmasters and Puffy as the song’s producers instead of Pete Rock. Pete said he wasn’t angry about the slight, but it seemed at the time of the interview he felt burned by several instances of not receiving appropriate credit for his work. “I’m not mad at anybody,” he
"); background-size: 1px 1px; background-position: 0px calc(1em + 1px); background-repeat: repeat no-repeat;">told Wax Poetics. “I just want the correct credit. fukk that. Y’all can’t just be robbing mu’fukkas. If you didn’t do the work, I’ma expose you.”
From a complex article with the Trackmasters:
In part one of our epic conversation, the duo talked about getting in the game, the last days of Cold Chillin’ Records, and the rise of Bad Boy Records.
They had plenty of stories to share, including how Sean “Puff Daddy” Combs (as he was known back in those days) was the master of taking credit and a hilarious story about how Steve Stoutebecame their manager.
From that same article
Poke: “Obviously. I don’t know when the last time I heard the original. Back then, anything that came out under Bad Boy was Puffy’s record.
So he does take credit. Sometimes not on purpose, but just because it came out on Bad Boy.”
Puff goes in, he puts the proper team together, a hit record comes out, and he takes the [credit].
He’s the pool shark, he’s the best at getting credit. He knows how to seize the opportunity to make sure the credit favors him. - Poke