Eh.
MCHG is a quality, 4/5 album. Sure, it doesn't have the depth, insight or candidness of Reasonable Doubt or Blueprint, but there's something to be said for execution. His stunting raps are still dope, the conceptual songs are still pretty solid as far as how they deliver the concepts (even if they aren't "deep"), the flows are on point, he's still got some really rewindable lines with double/triple-entendres, and the production is dope. Don't get me wrong, I'd like to see him be even more thoughtful too, but let's not act like it's a weak album just because it isn't philosophical and shyt. It's not envelope-pushing, but it's still quality rap music at the end of the day. This, especially compared to albums like BP3 and Kingdom Come, is a project where he brings everything together really well

. There's a reason everyone is saying it's his best since Black Album; lots of people were hating on BP3, both then and now, so the whole "ohhhhhhhhh Jay stans love everything

" argument doesn't apply.
As much as I want Jay to be more thoughtful/insightful, I really just need to accept the fact that he isn't Nas, Kendrick Lamar, old Talib, etc. That's just not who he is. He's still a well-rounded artist either way. On his songs like that, I'll just enjoy the cleverness and the concept execution - because both of those are always going to be on point - and be on my way.
I think Yeezus was an interesting project, but that critics went so crazy about it because it gave them an opportunity to indulge in their own egos as writers the same way as Kanye does with his music. That's not to say that the album doesn't deserve any of its acclaim, because I do think it's a quality record for the most part. But I think the minimalist approach from someone like Kanye makes critics/music nerds dig deeper for things on their own, that people give Kanye the benefit of the doubt since he's already seen as uber-creative, and that people are so happy to see him experiment that they want to praise it.