The Illmatic Rule (OH SHYT it's SirBiatch!)

blizzard man

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i agree with most, but i dont agree with the rule you were talkin about with 9 classic classic songs is the benchmark.

if you got a 30 track album with 9 A1 cuts and 21 filler joints, thats not a classic, it coulda been, but itd miss the mark. unless those 9 like, changed the world.

its a matter of ratios

but overall, yeah, if i can bump your shyt for years, or bump it after years of not hearing it, and its still dope and fresh sounding, its a classic

good thread
 

SirBiatch

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Mobb got no classics :umad:

:beli: is caccinfms stinking up this thread? These full-time weirdos. Don't even bother with dude - he doesn't care about Mobb Deep's music. He's just a pretend-stanley for daps :snoop:

But lettuce not fukk around: Mobb Deep's first two albums are classics and hold up to the Illmatic rule :ufdup:
 

JodyHiighroller

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:beli: is caccinfms stinking up this thread? These full-time weirdos. Don't even bother with dude - he doesn't care about Mobb Deep's music. He's just a pretend-stanley for daps :snoop:

But lettuce not fukk around: Mobb Deep's first two albums are classics and hold up to the Illmatic rule :ufdup:
Yeah it’s that cac @mobbinfms . You know eggsactly who it is. He always running to your threads.
 

Stone

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Best point made in this thread is about how a lot of middling shyt gets gassed because it’s not terrible.

Like that 21 Savage and Offset tape, not terrible but I have no desire to hear that shyt again
 

FRIED MASON

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Eh. Shouldn't your criteria scale for double albums? I mean, you're saying an album with 30 tracks is classic even if 20 are trash and 10 are dope/replayable. That means two thirds of the album is bad yet you're not only calling it a good album, you're calling it classic? What sense does that make on any level?
:patrice:

Overall the replayability argument is interesting though. I'll add it to my list of criteria for a classic. But I see it moreso as a sliding scaling. Some albums might have more of one criteria than another, but the total end tally must reach a certain level for me to consider it classic.

-Quality of music (nearly perfect to perfect tracklist)

There has to be a differentiation between an album that is good or great, and an album that is classic. One of the biggest problems today is that a really good album comes out and people automatically want to hail it a classic. That shouldn't be how this works. If you're album has a few middling or downright bad tracks, it's probably not classic.

-Impact on hip hop or music in general

Classic jazz albums are largely based around this. How did your album influence the genre, or music? This doesn't have to involve sales or success btw. Illmatic didn't sell well initially but it's impact is undeniable. Likewise there are underground albums that spawned entire subgenres or movements without selling much, such as Operation Doomsday.

-Replayability/standing test of time


Did your album simply spur a fad, or does it still have long lasting impact? Can I play it 5, 10, 15, 20 years after release?

-Critical acclaim

Perhaps on the lower side of my scale but still noteworthy to mention. How was your album received? Was it instantly hailed amazing/classic, or did it receive mixed reviews initially but slowly garner more attention as time passed and the trend of music became clear? Think about movies for a second. When It's A Wonderful Life came out it was trashed by many critics, it bombed in the theater, some people called it pro-communism or socialism. Yet for the last few decades it's been considered an undeniable classic film. Times change, as does our perspective and appreciation of art.

-----

You can scale things how you want but I feel like this is one of the most fair ways to do it, and helps include albums you might not like that had impact on the genre. I wasn't a fan of 808s And Heartbreaks but it's influence on modern urban music is dominant. Likewise there are Three Six Mafia albums I might call meh or ok that had dominant influence over how rap music sounds today.

Cohesion.

Making a cohesive project is underated.
 

SirBiatch

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Best point made in this thread is about how a lot of middling shyt gets gassed because it’s not terrible.

Like that 21 Savage and Offset tape, not terrible but I have no desire to hear that shyt again

Right. and the reality is that middling = terrible. that's what this new era misses. They're so scared to call something terrible so they just make up shyt like 'it's cohesive' or find some narrative to fit the album, but the album is truly unlistenable.

A project where every song comes and goes is the definition of a garbage project. Doesn't matter how you dress it up.
 

bigbadbossup2012

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Wa$$up said:
Agreed for the most part. I think classics should be the pinnacle of the genre. Stuff like Illmatic, Infamous, OB4CL, Liquid Swords, Doggystyle are hands down classic albums because they're damn near flawless IMO and can be played and enjoyed to this day.

Hip hop's become obsessed with labeling EVERYTHING a classic so quickly nowadays man it's insane. The truth is there's only a handful of albums that are classic like that because enough time has passed to view it as such. I wouldn't call GRODT classic, it has a lot great tracks but the obvious weak stuff stands out and I think it's just fine to label it as a "great" album. Not classic. I feel kinda the same way about Live.Love.A$AP but then again it's a probably the best mixtape of all time so it's the closest we'll get to a classic for that type of project.
Most of y'all nikkas are brainwashed about what classics are and only echoing what east coast media told you. It's amazing how east coast flops are grouped with blockbuster albums like doggystyle .
Y'all nikkas confused
 
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