Since that time, the United States has seen an enormous change in immigration patterns. In 1980 there were about 200,000 people in America who were born in Africa; by 2023 there were 2.8 million. So today, for people who were born in Africa, any children they have after moving here and Black people whose last African ancestors lived centuries ago, the term “African American” treats them as if they are all in the same category, forcing a single designation for an inconveniently disparate range of humans.
Further complicating matters is that many Africans now living here are not Black. White people from, for example,
South Africa or
Tanzania might also legitimately call themselves African American. As for the community that Mamdani grew up in, it dates back to at least the late 19th century, when South Asians were brought to Uganda to work as servants for British colonizers. “Mississippi Masala,” the movie for which Mamdani’s mother, the filmmaker Mira Nair, is perhaps best known, tells the story of South Asian Ugandans expelled from the country in 1972 by the dictator Idi Amin. Feeling just as dislocated from the only home they had ever known as I would feel if expelled from the United States, they would be quite reasonable in viewing themselves as African Americans after settling here.
