Albums The Weeknd - After Hours (Discussion Thread)

re'up

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At a minimum, I put this WAY above Star Boy, some of those songs were so cheesy and cheap sounding, the production on this is some of the best modern music has to offer. I would argue it's more cohesive than Beauty Behind The Madness, if that, has more iconic songs, which we can't really say for this yet.

He stopped doing those kinds of forced songs like "Dark Times", "Angel" and the worst of "Star Boy", "Die 4 You", "All I Have", "False Alarm", I still feel like he hasn't done a real song about himself, introspectively, or perhaps he has, and they just are either A)Shallow and self aggrandizing, or B) melodramatic.

Until I Bleed Out and Escape From LA come close, even if the latter falls a little short, for me, in terms of a compelling narrative. The former is actually very good, probably about drug addiction, who knows what is true, and what is art, but he's trying on that one, for sure.

This may be his best work since Kissland, Beauty Behind the Madness, in retrospect, is such a stadium tour album, like "Graduation", this is way more grounded, and just feels like a more confident work than Star Boy, which had some high points, but a lot of weak tracks, and the high points had no edge.

The polish, effort, and overall execution of this album is pretty career defining. His his transition into a major artist is impressive. His content is mature, for the most part, I could play some of these songs when I am 40, and still appreciate them.
 

Ribbs

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Another dark pop album that has sprinkles of the old toxic Weeknd

SN because I only ran it once, did the bloody nose, beaten up look he did in the promo for this pay off?
 

CrimsonTider

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Another dark pop album that has sprinkles of the old toxic Weeknd

SN because I only ran it once, did the bloody nose, beaten up look he did in the promo for this pay off?
Projected to do 400k 1st week
 

Piff Perkins

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I didn't expect Abel to lean into synthwave but here we are. There's a lot of dark (and emotionless) synthwave shyt out there, so when I realized this is what he was doing I figured that would be perfect. However the start of the album is glossier than I expected and it doesn't really work, outside of some bits. I noticed on certain production that doesn't fit him, Abel goes into these droning bridges that just seem to drag and are generic. You hear that a couple times at the start of the album.

It doesn't really seem to catch its legs until Snowchild (which reminds me of Reminder). Basically the middle of the album is where shyt starts clicking and you start hearing the darker synths. That's his lane. I was very "whatever" about Heartless when I first heard it as a single, but it really works in the sequence of the album. Going from Escape From LA to Heartless is just perfect...and I kinda wish they didn't spoil that by releasing it, since it kinda gives away the tonal shift. It would be like if Alright was the first single from TPAB; yea it would make sense business wise (just as it did for Heartless) but for the good of the album, nah. Let people hear that naturally through the flow of the album...it just works.

I didn't hear Blinding Lights when it first came out. I fux with it. Biggest standout might be Faith for me, especially when it shifts. Overall it's a solid album. Prob his best mainstream album, although I think that EP is his best overall mainstream project.
 
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