I was up on No Limit back in 94 breh. West Coast Bad Boyz Vol 1 is a Bay classic. No Limit fell off when they went down south.How when I still listen to the shyt, got a playlist full of No Limit classics on my phone right now
fukk you know about some No Limit, old dusty ass east coast obsessed white boy
Can't lie, this is true.
The east coast strike back with excessive cursing and the like to get at the west coast records in the mid 90s. They even had that melodic vibe to their singles back then, with spitting hard 16s.
From the hardcore tracks to the singles which were essentially G-Funk records. Yes, "Big Poppa" and "Juicy" were essentially G-Funk records. Who outside of Cali was sampling Mtume in the early 90's? The whole player vibe Biggie commercialized was in debt to the Bay (i.e. Too $hort, Mac Mall, Pac). Dre Dog from SF used the same sample as "Juicy" a year before on "The Ave" which was a huge local hit in Cali. In 93-94', East Coast rappers started aggressively rapping about guns, weed and hustling literally over night. All of it had to do with the fact that white label exec's wised up and realized that hardcore Cali-style Gangsta Rap with a sometimes added party vibe was what was selling the most.
West Coast Bad Boyz Vol II was also a classic and they represented again on "Roll Yo Vogues".Naw No Limit started fallin off in late 98, 99, they was puttin out thorough gangsta shyt from 95-98
This post makes zero sense breh. So east coast shyt was mainstream and everywhere? Death Row was underground?
I had the OG dub with the King George solo and the last song with everybody.That's right. The O.G.'s from my old hood Randolph Street, Lakeview, SF made "Stressed Out" and "Tell Me Something Good" on that West Coast Bad Boyz Vol I.
Messy Marv & San Quinn's Explosive Mode is musically better than any album that came out of the East Coast in 98'. 2nd II None's debut album was musically as good as any classic album from 91'. Dru Down Can U Feel Me was as good as anything back in 96'. But these albums aren't constantly promoted by hipster whiteboys who moved to NYC from the Midwest in 2008 or their older brothers who wrote gushy reviews about 90's NYC albums. That Korean lady Miss Info was the original critic who wrote the 5 mic review for Illmatic. 
Ironically, most of these critically acclaimed East Coast albums sold horribly in the 90's and were criminally slept on despite the fact that 90% of relevant NY rappers were signed to major labels. 
I'm 32. By the end of the 90's, people looked at Nas's career like it was a joke. Illmatic went wood and no one really started talking about it again until Jay-Z dropped the "Takeover" in 2001 
, It Was Written was met with mixed reviews upon it's initial release and Nastradamus was panned.
Nobody knew 36 before 97. Outside of the south.how you gonna slide UGK in the mix like that?
I don't know how old you are or if you're originally from the area but I promise no one around 695 was checking for UGK like that in the mid 90s.
Who said anything about Deathrow, cacThis post makes zero sense breh. So east coast shyt was mainstream and everywhere? Death Row was underground?
I fukked with No Limit when they were a local act, but not in the late 90s when they actually were mainstream and everywhere?
fukk is you talkin bout
Who said anything about Deathrow, cac
You fukked wit em in 94 cuz they sounded like some West Coast nikkas and the west sound was just as mainstream as the east's
I see you went and got your neg squad nerd force
I just looked at your join date. You gotta be an alias. I think I know who too
