When Wu Tang first came on the scene were they seen as cool or weird ?

Derekjackson2

Banned
Joined
Dec 20, 2016
Messages
606
Reputation
-100
Daps
1,284
I was in college at UAPB when I read the rap pages article portrayed as cartoon characters. I heard protect your neck& was totally confused but once the album dropped I got the gimmick
 

Kyle Barker

Superstar
Joined
Feb 4, 2015
Messages
4,293
Reputation
2,530
Daps
26,094
first albums were really dark and gangster rap... I don't think weird is the word you're looking for

they got a lot of play on Hot 97, local stations, and tapes

they were well respected when they came out

Yeah they were New York's answer to the West Coast gangster rap that was dominant at a time. They deserve a lot of credit for bringing the attention back to the East Coast. The Kung Fu stuff just felt more like their signature as opposed to an overbearing gimmick. They just came across as real street cats.


 

zayk35

Superstar
Joined
Jul 21, 2012
Messages
12,912
Reputation
2,702
Daps
46,647
Reppin
Escondido California
Wu Tang never got any love in "lil country spots" in Texas where I'm from. I liked them a lil bit but I was wayyy wrapped up in the Geto Boys and West Coast rap to have given them any real burn. They never even got played on Sunday night jam, which was my "lil country town's" "black radio block "from 6p.m til midnight only on Sundays. And the DJs of the station would get all their music from whatever K104 was playing in Dallas. They'd play whatever was really popping on the radio stations there. I know Dallas played some Wu Tang but they never got back to my "lil country town" only the "All I need" remix got there and the "how high remix" both in 95. But other than that Wu Tang did not really exist.....fast fwd to when I joined the Marine Corps and got to the "fleet" and met different types of ppl and get put on to some Wu Tang. By 1998 I started to really fukk with it and been hooked every since. I'd go back home on leave to my " lil country town" bumping some Wu and them nikkas would be frowning and disgusted. Because where I'm from the hottest rapper was usually some terrible "local dude" and any obscure 90s Bay Area rapper.
 

AnonymityX1000

Veteran
Joined
Jun 6, 2012
Messages
31,593
Reputation
3,258
Daps
71,933
Reppin
New York
Another interesting thing about them that let you know they were different was how they had a record deal as a group and then could separately sign as individuals. Was never done before, a group was signed to a label and if members went solo it happened on the same label. Wu came out independently with Protect Ya Neck, then quickly got signed to Loud Records which was a new major. But when Protect Ya Neck was doing well you heard Ol Dirty b*stard had a solo deal with Elektra already. It was like how?:patrice:
Then they released Method Man, shyt really blew up and you read in rap magazines there is a bidding war for his solo material and he eventually signs with Def Jam! :gladbron:
Then you hear Rae and Deck signed solo with Loud. :picard:
Ghost with Epic.:feedme:
The Genius with Geffen records. :blessed:

It was just a huge takeover of the industry that had never been done. It definitely added to the excitement.
Later The RZA himself signed to G Street and U-God to Priority but by then they were gigantic.
 
Joined
Jul 17, 2012
Messages
800
Reputation
200
Daps
1,108
Reppin
Stapletown..Shaolin
Couldn’t understand why they were stealing the Fu-Schnickens “Kung Fu” gimmick, so blatantly....
I liked the fu schnickens first album but their use of Kung fu or Chinese culture was more gimmick ie..each member had fu in their name...videos of them rapping out of Chinese food boxes...with Wu is was more a metaphor...the brother hood and sharpness of their lyrics..
 
Top